Lance Henriksen

Lance Henriksen
Lance James Henriksenis an American actor and artist, best known for his roles in science fiction, action, and horror films such as Bishop in the Alien film franchise, and Frank Black in Fox television series Millennium. Henriksen is also notable for his voice acting, notably having voiced Kerchak the gorilla in Walt Disney Animation Studios' Tarzan...
NationalityAmerican
ProfessionTV Actor
Date of Birth5 May 1940
CityNew York City, NY
CountryUnited States of America
The Aliens and Terminator imitations will eventually fizzle out. But there will always be room for a new phobia. It's the uniqueness of the horror genre that will keep it alive because it's endless.
Look, there's an element in acting where they hand you a script, and you know everything there is to know about this character. You know what's going to happen at the end of the movie. That in itself gives you a sense of world-weariness. It's like knowing your own death, every time.
You can't do every movie - although I do a lot of them - and the thing I'm longing to do is... it's not that I think I'm funny... but I long to do a situation comedy.
The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if... ?' I just come in and do it.
Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
As a kid, there was a painting of 'Appeal to the Great Spirit' that I would see when I would get oatmeal bowls out of the cupboard. This painting, it was so real to me that it frightened me.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
In the late 1960s, I ended up in Telluride, Colorado. It wasn't like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.
I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.
You know something, if you're not acting, you're not an actor - you've gotta work. No way around it.
But to this day - I'm very literate now, I love to read, I read constantly - words don't resonate the way they do to a person with a formal education. They're like a maze, a puzzle that has to be opened up.
One of my favorites of all time was with Jim Jarmusch, called 'Dead Man.' I was in that with Johnny Depp. I ride really well, and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked.
My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
In a way, being born is a sort of ecological contagion. When you have longevity of family, we remember our grandfathers and maybe our great-grandfathers. We somehow don't have the capacity in modern life to remember further than that. All of the ramifications of their lives have an effect on us, and we're not aware of it.