Kristen Stewart
Kristen Stewart
Kristen Jaymes StewartApril 9, 1990) is an American actress. Born in Los Angeles to parents working in show business, Stewart began her acting career in 1999 with uncredited roles and a minor character appearance in several films before gaining prominence in 2002 for playing Jodie Foster's daughter in the thriller Panic Room, which garnered her a Young Artist Award nomination for Best Leading Actress in a Feature Film. She went on to star in Speak, Catch That Kid, Zathura, and...
NationalityAmerican
ProfessionMovie Actress
Date of Birth9 April 1990
CityLos Angeles, CA
CountryUnited States of America
Both my parents work in film. They're crew. I love movies, and I just wanted to be involved. I got really lucky. I auditioned for a while and then started making films.
I had to act in a school play when I was about ten years old. I really didn't want to do it. But everyone had to do it so I didn't have a choice. A talent agent came and watched it and later gave me some work. It's funny because I'd always known that I wanted a movie career. I just didn't think that I would be in the movies.
I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.
You don't always just have to do an indie movie to feel like you're controlling it with a few people that you really have connected with, creatively. You can do it on a bigger scale.
I would have been very happy just working from job to job, paying my rent one movie at a time. I never wanted to be this famous. I never imagined this life for myself.
This weird thing happens when you're in a movie that has some level of success. People start offering you all kinds of things, and they just expect you to do them because they'll be good for your career. It's not about the project's integrity or anything like that.
I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it.
If the movie is good then great, but if it's not then God, I feel so bad for that person with their face fifty feet tall, all blown up. Some people would be happy with that, that as long as their face was out there they're stoked about it. I'm not like that.
Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.
I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I'm not the type of person that just needs to feel concrete and like nothing's going to change. I revel in the change.
I'm approaching the idea of taking on a responsibility as great as saying, "I'm good enough to be in your movie." It's a huge statement to make, and every time I do it, I think, "Is this the right choice?"