Kristen Stewart

Kristen Stewart
Kristen Jaymes StewartApril 9, 1990) is an American actress. Born in Los Angeles to parents working in show business, Stewart began her acting career in 1999 with uncredited roles and a minor character appearance in several films before gaining prominence in 2002 for playing Jodie Foster's daughter in the thriller Panic Room, which garnered her a Young Artist Award nomination for Best Leading Actress in a Feature Film. She went on to star in Speak, Catch That Kid, Zathura, and...
NationalityAmerican
ProfessionMovie Actress
Date of Birth9 April 1990
CityLos Angeles, CA
CountryUnited States of America
I like women who have an opinion one way or the other or who have a great sense of humor and a great sense of adventure. I can be friends with women who are not like that, but I don't have that hard emotional connection.
Any good relationship that I've had with an actor has always been so emotional and personal. If you don't have that then you're just lying.
It's hard to generalize about that subject because the women I've worked with have all been so different. But if there's one consistency, it might be that you do have to handle yourself differently on a set. Women can be more emotional - at least they sometimes show it more.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
Everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I'm not the type of person that just needs to feel concrete and like nothing's going to change. I revel in the change.
I'm approaching the idea of taking on a responsibility as great as saying, "I'm good enough to be in your movie." It's a huge statement to make, and every time I do it, I think, "Is this the right choice?"
With every project, you feel like you're trying to find your place to vent. For any actor, that's typically the feeling that drives you to do it.
One of the greatest struggles of becoming an adult is figuring out what you want to do and what makes you happy. The courageous thing is to stick with it and see it through and see if you were correct.
I learn a lot with actors that I don't think are good. Every experience shapes you. I've had experiences with actresses - and I say actresses because there's just a woman thing - that have achieved what she's achieved, by means that I can't understand.
The best aspects of every vampire, with all of their gifts, what makes them really special is just an enhanced version of what they were when they were human.