Kimbra

Kimbra
Kimbra Lee Johnson, known mononymously as Kimbra, is a New Zealand recording artist who mixes pop with classic R&B, jazz and rock musical elements. Her musical influences range from Prince and soul singer Minnie Riperton, to Björk and Jeff Buckley. Her debut album, Vows, was released in Australia in 2011. Singles from the album include "Settle Down", "Cameo Lover", "Good Intent" and "Two Way Street"...
NationalityNew Zealander
ProfessionPop Singer
Date of Birth27 March 1990
CityHamilton, New Zealand
When people ask that question, it's very hard to nail down a formula or a circumstance that I always write in, but I definitely do believe that there have been moments, musically, when I have channeled something, you know?
I started writing songs when I was 10. It was a natural way to express myself as a kid. It wasn't until I started listening to jazz, joined the choir and picked up a guitar that my little hobby became something far more serious.
I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.
I think the more that I can find myself getting out of the way - like you said yourself - trying to get out of thinking too much, and sometimes something truly special can happen. That's the beautiful mystery of song writing - that you really don't know where these songs come from exactly, and you don't know how you came up with them - and god bless it that you should have the gift of channeling that.
I haven't stopped writing which is good. I'm scared to stop completely otherwise it might lead to stagnancy.
That's the beauty of song writing. You never know when inspiration will come or how it will hit, you just gotta kinda grasp a hold of it and make sense of it somehow.
People like Jeff Buckley, the Mars Volta and Bjork made me listen to music differently. You learn the voice is an instrument you can do crazy things with.
I'm thinking about a few weeks in Montreal to work with a producer I met there.
You can get really left of centre influences in mainstream pop. Michael Jackson and Prince are some of the most progressive artists ever if you actually dissect their songs there's some crazy stuff going on.
People are consuming more than ever, but I think they want a bit of honesty and depth. Adele, Gotye, Janelle Monae - they're giving you a catchy song, but it's also a challenging song at the same time.
I'm so fascinated by the human longing for meaning. The way we relate romantically to each other is so much to do with our longing for meaning as well.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
But for me I think it's just about taking that time of reflection and contemplation. That's probably my process in every decision that I make: to make sure that I spend time just with myself, and really times of silence and mediation to go through that process; and music is a big part of that as well.
Just try to keep the heart turned outward, as well as having moments inward. I think the threat of an industry like this is that you can become sort of self-obsessed. There's so much praise being given to you - there's a real threat of exalting the ego.