Kim Gordon

Kim Gordon
Kim Althea Gordon is an American musician, songwriter, and visual artist. Born in Rochester, New York, Gordon was raised in Los Angeles, California, and studied art at the Otis Art Institute. She later rose to prominence as the bassist, guitarist, and vocalist of the New York City-based alternative rock band Sonic Youth, which she formed with ex-husband Thurston Moore in 1981...
NationalityAmerican
ProfessionRock Singer
Date of Birth28 April 1953
CityRochester, NY
CountryUnited States of America
Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.
I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.
I'll leave a store if I hate the music. If it's just, like, techno, I feel like my brain is going to explode.
It's hard to get hot over a painting; there's no equivalent for teenage obsessiveness. Art obsession is ideology. Ideology can be made sexy, but it's easier in music.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
In a lot of the art world, you have to present yourself as you know what you're doing at a young age. Music gave me another outlet. The 'no wave' bands were such an inspiration; it felt so free - once you start doing it, it's hard to stop. But I can't get away from art. It comes back around. I wouldn't be true to myself if I didn't pursue it.
It's hard to say when the life of a band starts and stops... but playing music together is an act of trust. When that's broken, it's impossible to continue.
But everything has been so gradual that it's sort of all come from, just hard work and basically being at it.
In rock music, people have certain assumptions that it makes people more enlightened, and it really doesn't.
I mean, most of it is probably more obscure and just more noisy than either of those two bands, but Thurston has stuff all the time that he's involved with that is fairly obscure and experimental.
I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
I have a really hard time writing my own lyrics for this record, because one, I had to write so many and also I was kind of perplexed by the idea of how I was going to sing and play... because at that time, we hadn't really thought about asking someone else.
The last two records I liked playing a lot.
I just happened to start playing music for the conceptual ideas