Khaled Hosseini
Khaled Hosseini
Khaled Hosseiniis an Afghan-born American novelist and physician. After graduating from college, he worked as a doctor in California, an occupation that he likened to "an arranged marriage". He has published three novels, most notably his 2003 debut The Kite Runner, all of which are at least partially set in Afghanistan and feature an Afghan as the protagonist. Following the success of The Kite Runner he retired from medicine to write full-time...
NationalityAfghani
ProfessionNovelist
Date of Birth4 March 1965
CityKabul, Afghanistan
It turned out that, like Satan, cancer had many names.
James Parkinson. George Huntington. Robert Graves. John Down. Now this Lou Gehrig fellow of mine. How did men come to monopolize disease names too?
And one more thing...You will never again refer to him as 'Hazara boy' in my presence. He has a name and it's Sohrab.
Hassan and I fed from the same breasts. We took our first steps on the same lawn in the same yard. And, under the same roof, we spoke our first words. Mine was Baba. His was Amir. My name. Looking back on it now, I think the foundation for what happened in the winter of 1975 —and all that followed— was already laid in those first words.
For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda.
Economic chasm between people is something that is of interest to me. And something that I used to write about even as a child. It's something I've revisited a few times in my writings.
A Western-style democracy in Afghanistan is a dream. I don't see that as a reality anytime soon. But I think some form of representative political process is not that far-fetched.
The difficulty of writing a second novel is directly proportional to how successful the first novel was, it seems.
It's a very nice kind of quasi-fame being a writer, because you remain largely anonymous and you can have a private life, which I really cherish. I don't like to be in the public light all that much. I don't crave the whole fame thing at all.
I lay no claim, it should be clear, to being a historian. So in my books, the intimate and personal have been intertwined inextricably with the broad and historical.
I have met so many people who say they've got a book in them, but they've never written a word. To be a writer - this may seem trite, I realize - you have to actually write.
American high school culture was impenetrable to me, and very cliquey: you had the Hispanics, the African Americans, the surfer guys and the goths and the immigrants. The jocks and the surfers got the girls. By the time I'd got to grips with it, I'd graduated.
I find myself drawn to that period where children are about to leave childhood behind. When you're 12 years old, you still have one foot in childhood; the other is poised to enter a completely new stage of life. Your innocent understanding of the world moves towards something messier and more complicated, and once it does you can never go back.
There's nothing easy about writing. It's always difficult. It's always a struggle.