Kevin Hart
Kevin Hart
Kevin Darnell Hart is an American actor, comedian, writer, and producer. Born and raised in Philadelphia, Pennsylvania, Hart began his career by winning several amateur comedy competitions at clubs throughout New England, culminating in his first real break in 2000 when he was cast by Judd Apatow for a recurring role on the TV series Undeclared. The series lasted only one season, but he soon landed other roles in movies like Paper Soldiers, Scary Movie 3, Soul Plane, In the...
NationalityAmerican
ProfessionComedian
Date of Birth6 July 1979
CityPhiladelphia, PA
CountryUnited States of America
I think what happens in a religious life is that we have those experiences of affirmation and that one starts to live a Christian life or a Jewish life or a Muslim life or a Buddhist life, by affirming that affirmation each day. Each day you say 'Yes' to that Yes. So the life of being a Christian for example, is always a life of double affirmation, that you each day say 'Yes' to those counter-experiences of saying 'Yes', even when you're not experiencing them at that time, you're remaining loyal to that experience.
In marriage for example, you say 'Yes' on the day you get married, 'I do', but each day you implicitly if not explicitly, also say 'Yes', by every act that one performs in a marriage, one is saying 'Yes', making a cup of coffee for one's wife or husband is a form of saying 'Yes' to the marriage vow that one is continuing the marriage by affirming it in one's deeds. And exactly the same in the religious life.
I think poetry has started to take on a supplementary role of prayer for some people. The churches, I think, including my own, are terrible at teaching people how to pray. It may be that we need to learn from the ground up as religious people, whether Christian or not, how to pray.
The kind of poetry I write, lyric poetry, I think is really concerned with intimacy, with mystery. That needn't be religious mystery, there are mysteries to do with everyday life.
You can do the same thing with $20 million that you would do with $50 million. So at a certain point in your life and in your career, you realise that it's not about the money.
I got the stern end of the stick. It was kind of that iron fist. I am who I am today because of my mother.
'Leading man' just means people want to see you and assume that you can hold a film, carry a movie.
As a producer, as a CEO of Hartbeat Productions, I am making deals to put my company in place to win, to put my staff to work so that while all this stuff is going on, they're in the kitchen cooking. So it's understanding the longevity of the entertainment business; you get out of it what you put into it.
The quote-unquote 'description' of a leading man was once your tall, handsome man with the build of whatever, almost a trophy to some degree. I think now it's about making a leading man what you want a leading man to be. In this day, you can't deny talent. You look at Jonah Hill, you look at Zach Galifianakis, you look at myself.
I think the message has already been sent to Hollywood, which is that this kid's a hard worker, he's talented, and people are coming out to see him. And when you have box-office results, Hollywood treats you different. Hollywood stands up.
You make yourself broad. You make yourself appealing. 'Hey, y'all, I'm cool with everybody.' That's my message.
I took my daughter to the father-daughter dance, and I cried like a little baby.
Working with a guy like Ice Cube on 'Ride Along,' you learn so much. He's a guy who produces, writes, and directs, so you watch and learn and ask questions. As you go, you learn and figure out what you should and shouldn't do. I do nothing but soak up information.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.