Kelley Armstrong
Kelley Armstrong
Kelley Armstrong is a Canadian writer, primarily of fantasy novels since 2001...
NationalityCanadian
ProfessionNovelist
Date of Birth14 December 1968
CountryCanada
hands eggs two
All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?” “Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
two half might
I might be half Derek's size, but I was the one who sounded like a two-hundred-pound beast plowing through the woods.
two dirt-roads want
It's a road," Corey said, pointing. "A dirt road," Hayley muttered. "So? We've been slogging through the forest for two days. What do you want? A six-lane highway?
should-have two waiting
I called. Why wasn't anyone here?"- Elena We were here." Clay said. "Around, anyway. You should have left a message." I did. Two hours ago." - Elena Well that explains it. I've been out, by the gate all day, waiting for you, and you know Jer never checks the machine."- Clayton I didn't know how Clay had known I was coming back today when I hadn't left a message. Nor did I question why he'd spent the entire day waiting at the gate. Clay's behavior couldn't be measured by human standard's of normalcy... or by any standards of normalcy at all. Bitten
two long complaining
How long could we do this before you started bitching?" Simon said as we turned down another street of apartment buildings. "What?" "We've been walking for two days now, and you haven't complained once. It's damned annoying, you know." I looked at him. "If you don't complain, then I can't complain. Not without sounding like a whiny little snot.
coffee two chocolate
After the woman left, I set my coffee down and opened the bag. Two muffins-double-chocolate and blueberry bran. I texted Adam a thank-you. I’d just started eating the chocolate muffin when he texted backPut that one down and eat the bran. It’s better foryou.
two ashes foxes
Umm, correct me if I'm wrong, but aren't you suppose to be dead? Currently being chased by two Cabals? You're waltzing around Vancouver, eating in restaurants?" (Ash)"Hell no," Corey said. "I never waltz. I do the fox-trot sometimes though.
winter should-have two
On that walk around the building, two sets of cops coming out stopped to tell our guys to hustle us inside so they could head back out on the road. Accidents everywhere. A pileup on each of two major roads. “Welcome to winter,” one said. “When fifty percent of drivers should have their licenses temporarily suspended.
care characters crucial fully happens horror novels reader
Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
dry money series soon tempting wrap
When a series is doing well, it's very tempting to keep writing it, even when the creative well is drying up. It's tempting because that's where the money is. I've had to be very careful; as soon as I think I'm getting close to that dry well, I wrap the series up. I don't want to just keep writing something because it sells.
attempt car fell flat high instead kid locker parody piece possessed realized version wrote
The first piece of 'long' fiction I wrote was a novella parody of Stephen King's 'Christine.' I was in high school, and my version was about a kid with a possessed locker instead of a possessed car. It was also my first attempt at humour, which fell completely flat because no one who read it realized it was a parody!
dry eventually gets opposite run sure true worried wrote
I always worried that the creative well would dry up. I was sure that if I wrote a book a year, I would eventually run out of ideas. Actually, the opposite has been true for me. The more I write, the more ideas come to me and it gets easier.
approval delight fantasy fuel money pure rather took
It took many years to accept that fantasy is the fuel for my storytelling passion, and without that, I really am a hack, writing for money or approval rather than for the pure delight of storytelling.
There is no story that can't be improved by adding zombies.