Kathryn Harrison

Kathryn Harrison
Kathryn Harrisonis an American author...
NationalityAmerican
ProfessionAutobiographer
Date of Birth20 March 1961
CountryUnited States of America
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The Russian revolution is one of history's car wrecks. We do know the ending, but we continue to watch. It expresses aspects of human nature we find unacceptable.
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Lives that are so conspicuous have a claustrophobic feeling. Once you're in charge of running a country, you're under scrutiny all the time. That's a trap.
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We know the seductive alchemy of art. To transform private anguish into a narrative of truth, if not beauty; to make sense where there was none; to bring order out of chaos - these are the promises art makes.
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I don't care what people think about me. I care what people think about my work. As a young woman, I was so eager to please that I served others' happiness and even their values before my own.
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I was raised by maternal grandparents who were born in 1890 and 1899, respectively. They were British subjects; George V was the cousin of the tsar. The Romanovs were very real in their household.
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I got history solidly under my belt, reading Russian history and biographies. I couldn't change the facts. I could only play with how the people might have responded to the facts of their lives.
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One of the things I find exciting about Joan of Arc is how clearly the story of her life reveals the creation of myth, a process in which every one of us is involved - every one of us who tells stories and all those who listen, each informing the other.
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'Madame Bovary' advanced slowly, as slowly as it would have to have, given an author who held himself accountable to each word, that it be the right word, of which there could be only one.
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I have at last admitted that not only was I angry with my mother, but, in fact, I wanted to destroy her as a child. And I was so concerned to be a woman who was different from my mother that I had this vast architecture of rules.
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The power of 'Madame Bovary' stems from Flaubert's determination to render each object of his scrutiny exactly as it looks, or sounds or smells or feels or tastes.
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It's hard for me not to have a great deal of compassion for the last Romanov family because, really, I don't know if a politically savvy ruler would have been able to make the situation turn out much differently.
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Having grown up so familiar with creating a pleasing facade, I now end up compelled to reveal things inside and say, 'Okay, now you really see me. Do you still love me?' And then it's never enough; it always has to be total self-revelation.
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By the time Joan of Arc was 16 and had proclaimed herself the virgin warrior sent by God to deliver France from her enemies, the English, she had been receiving the counsel of angels for three years.
Writing is how I stay sane. It's completely necessary.