Kathryn Bigelow
Kathryn Bigelow
Kathryn Ann Bigelow is an American director, producer and writer. Her films include the vampire Western horror film Near Dark, the action crime film Point Break, the science fiction action thriller Strange Days, the mystery thriller The Weight of Water, the submarine thriller K-19: The Widowmaker, the war film The Hurt Locker, the action thriller war film Zero Dark Thirty, and the short film Last Days of Ivory. The Hurt Locker won the 2009 Academy Award for Best Picture and...
NationalityAmerican
ProfessionDirector
Date of Birth27 November 1951
CitySan Carlos, CA
CountryUnited States of America
The journey for women, no matter what venue it is - politics, business, film - it's, it's a long journey.
I have always firmly believed that every director should be judged solely by their work, and not by their work based on their gender. Hollywood is supposedly a community of forward-thinking and progressive people, yet this horrific situation for women directors persists. Gender discrimination stigmatizes our entire industry. Change is essential. Gender neutral hiring is essential.
I always want to make films. I think of it as a great opportunity to comment on the world in which we live. Perhaps just because I just came off The Hurt Locker and I'm thinking of the war and I think it's a deplorable situation. It's a great medium in which to speak about that. This is a war that cannot be won, why are we sending troops over there? Well, the only medium I have, the only opportunity I have, is to use film. There will always be issues I care about.
Cinema has the capacity to be so physiological.
I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going.
Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
Those of us who work in the arts know that depiction is not endorsement. If it was, no artist would be able to paint inhumane practices, no author could write about them, and no filmmaker could delve into the thorny subjects of our time.
I'm drawn to filmmaking that can transport me. Film can immerse you, put you there.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.