Kathleen Hanna

Kathleen Hanna
Kathleen Hanna is an American musician, feminist activist, and punk zine writer. In the early-to mid-1990s she was the lead singer of feminist punk band Bikini Kill, before fronting Le Tigre in the late 1990s and early 2000s. In 1998, Hanna released a lo-fi solo album under the name Julie Ruin and since 2010 has been working on a project called The Julie Ruin...
NationalityAmerican
ProfessionRock Singer
Date of Birth12 November 1968
CityPortland, OR
CountryUnited States of America
I don't appreciate it when women - or men - bandy about these stupid stereotypes about feminism that are age-old, and that are meant to keep people turned off from it. It's like, "All you have to do is Wikipedia feminism to know that it's not about man-hating - so shut up." That makes me annoyed.
A lot of artists are just really stupid about money, and it's really hard to find somebody who kind of thinks of shuffling money around and doing business as an art.
I'm really going off of watching John Waters speak one time and I remember he just kind of talked and it was totally interesting. I wanted to hear about his life and how he got started and when did he think he made it, stupid stuff like that. And what his relationship with the mainstream is because he's so far out there, but then he became part of the mainstream in this weird way. He was really funny, though. Yeah, I have to work on my jokes.
My mom and I had secret from my dad that we didn't think we were stupid, that we didn't think we needed feminism to be explained to us.
I have chronic - well, I like to call it late-stage Lyme disease and not chronic, because I like to think someday I'll be all the way cured. It took me a really long time to get diagnosed, and I was misdiagnosed for a long, long time. I was very ill during the end of Le Tigre, which was kind of why that ended, amongst other things.
Defining art is huge; I feel like it's such a subjective thing. It's more like what's not art. You know what I mean? I think there can be an art in the way people live their lives, and art can be a gift someone gives to somebody.
You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything: You sit there and do it every day, and eventually you get good at it.
I go to lectures and girls are finding out about Bikini Kill or Le Tigre for the first time and are like,' This is my jam!' It still feels fresh to them.
I don't want to be a historical action figure or treated like I'm dead. Like one of those people where they go, 'Oh, isn't she dead?' And then I walk up, and they're like, 'Whoa.' I can't really complain... because I've made myself into a historical action figure. I was like, 'Yeah, come on in!'
Facing sexism and racism and classism and transphobia, there are ways to choose to act in those situations, and there shouldn't be a prescriptive list of things that you have to say.
To make riot grrrl move into the future in a new way with a bunch of new names and a bunch of new energy, younger people have to learn about it and apply it to their own lives and own modern conversation. And they are.
I have late-stage Lyme disease. I was misdiagnosed for many, many years and told I had lupus, MS, Crohn's disease, even degenerative arthritis. And finally in 2010, I got the correct diagnosis, because on the last Le Tigre tour, I was having several seizures a day and at times not being able to brush my own teeth.
What happens tomorrow is going to happen tomorrow.
You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'