Kathleen Hanna

Kathleen Hanna
Kathleen Hanna is an American musician, feminist activist, and punk zine writer. In the early-to mid-1990s she was the lead singer of feminist punk band Bikini Kill, before fronting Le Tigre in the late 1990s and early 2000s. In 1998, Hanna released a lo-fi solo album under the name Julie Ruin and since 2010 has been working on a project called The Julie Ruin...
NationalityAmerican
ProfessionRock Singer
Date of Birth12 November 1968
CityPortland, OR
CountryUnited States of America
There's comedians who I consider extremely punk rock who I've seen do very political stand up in places where nobody wants to hear that. It's uncomfortable and scary and you realize it's the punkest performance you've ever witnessed.
Everybody wasn't always wasted. Why is punk rock about getting wasted? Isn't it punk rock to be sober and change the world? I thought it was about challenging capitalism? How are you going to challenge capitalism if you're wasted?
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
What (some) bands do is go, 'It's not important that I'm a girl, it's just important that I want to rock.' And that's cool. But that's more of an assimilationist thing. It's like they just want to be allowed to join the world as it is; whereas I'm more into revolution and radicalism and changing the whole structure. What I'm into is making the world different for me to live in.
I have chronic - well, I like to call it late-stage Lyme disease and not chronic, because I like to think someday I'll be all the way cured. It took me a really long time to get diagnosed, and I was misdiagnosed for a long, long time. I was very ill during the end of Le Tigre, which was kind of why that ended, amongst other things.
Defining art is huge; I feel like it's such a subjective thing. It's more like what's not art. You know what I mean? I think there can be an art in the way people live their lives, and art can be a gift someone gives to somebody.
You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything: You sit there and do it every day, and eventually you get good at it.
I go to lectures and girls are finding out about Bikini Kill or Le Tigre for the first time and are like,' This is my jam!' It still feels fresh to them.
I don't want to be a historical action figure or treated like I'm dead. Like one of those people where they go, 'Oh, isn't she dead?' And then I walk up, and they're like, 'Whoa.' I can't really complain... because I've made myself into a historical action figure. I was like, 'Yeah, come on in!'
Facing sexism and racism and classism and transphobia, there are ways to choose to act in those situations, and there shouldn't be a prescriptive list of things that you have to say.
To make riot grrrl move into the future in a new way with a bunch of new names and a bunch of new energy, younger people have to learn about it and apply it to their own lives and own modern conversation. And they are.
I have late-stage Lyme disease. I was misdiagnosed for many, many years and told I had lupus, MS, Crohn's disease, even degenerative arthritis. And finally in 2010, I got the correct diagnosis, because on the last Le Tigre tour, I was having several seizures a day and at times not being able to brush my own teeth.
What happens tomorrow is going to happen tomorrow.
You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'