Katherine Paterson
Katherine Paterson
Katherine Womeldorf Paterson is a Chinese-born American writer best known for children's novels. For four different books published 1975-1980, she won two Newbery Medals and two National Book Awards. She is one of three people to win the two major international awards; for "lasting contribution to children's literature" she won the biennial Hans Christian Andersen Award for Writing in 1998 and for her career contribution to "children's and young adult literature in the broadest sense" she won the Astrid Lindgren...
NationalityAmerican
ProfessionChildren's Author
Date of Birth31 October 1932
CityHuai'an, China
CountryUnited States of America
...I just gave up trying to be a Christian... Let's face it, I ain't got the knack for holiness. Besides, I didn't have the slightest little desire to join the likes of Reverend Pelham at the dinner table for fourteen minutes, much less at the banquet table of Heaven eternally. Eternity is a mighty long time to be stuck with people who judge every word you say and think and condemn most of what you do. It struck me as pretty miserable company. And if Reverend Pelham was the kind of company God preferred to keep, well, I just hoped they'd be happy together.
...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)
It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.
The world that is in me is the only world I have by which to grasp the world outside and as I write fiction, it is the chart by which I must steer.
It was a wonderful way to be awakened.
All of us use art and literature as an escape from time to time, but if it's any good, it has a healing quality - a quality that enlarges our human spirits.
A story is open-ended. A story invites you into it to make your own meaning.
All of us can think of a book that we hope none of our children or any other children have taken off the shelf. But if I have the right to remove that book from the shelf -- that work I abhor -- then you also have exactly the same right and so does everyone else. And then we have no books left on the shelf for any of us.
I like to write about a lot of things, which is why my books are different. This is probably why I don't like to write sequels, but chiefly I like to write about people.
I'm a great believer in research. I have to know about a place before I write a story that is set in that place.
I love writing for young adults because they are such a wonderful audience, they are good readers, and they care about the books they read.
I'd like for the young people, and older ones, too, who don't count themselves as readers, to know the joy of reading and what it does to enrich your life in so many ways.
The best thing about being a writer is it gives you readers who understand your deepest feelings and fears.
Some say it is the elements of hope and wonder in children's books that make them special. But there are many dark young adult novels these days. Adults loved Harry Potter, though it was written for the young. In the end, it is probably up to the reader of any age to decide if this book is for him or her.