Katherine Anne Porter

Katherine Anne Porter
Katherine Anne Porterwas a Pulitzer Prize-winning American journalist, essayist, short story writer, novelist, and political activist. Her 1962 novel Ship of Fools was the best-selling novel in America that year, but her short stories received much more critical acclaim. She is known for her penetrating insight; her work deals with dark themes such as betrayal, death and the origin of human evil. In 1990, Recorded Texas Historic Landmark number 2905 was placed in Brown County, Texas, to honor the life...
NationalityAmerican
ProfessionJournalist
Date of Birth15 May 1890
CountryUnited States of America
Now and again thousands of memories converge, harmonize, arrange themselves around a central idea in a coherent form, and I write a story.
Grant that the idea of God is the most splendid single act of the creative human imagination, and that all his multiple faces and attributes correspond to some need and satisfy some deep desire in mankind; still, for the Inquirers, it is impossible not to conclude that this mystical concept has been harnessed rudely to machinery of the most mundane sort, and has been made to serve the ends of an organization which, ruling under divine guidance, has ruled very little better, and in some respects, worse, than certain rather mediocre but frankly manmade systems of government.
I have no patience with this dreadful idea that whatever you have in you has to come out, that you can't suppress true talent. People can be destroyed; they can be bent, distorted, and completely crippled . . . In spite of all the poetry, all the philosophy to the contrary, we are not really masters of our fate.
Perhaps the habit which distinguishes civilized people from others is that of discussion, exchange of opinion and ideas, the ability to differ without quarrelling, to say what you have to say civilly and then to listen civilly to another speaker.
First impressions are often signals from the deep that we should credit oftener than we do ...
Experience is what really happens to you in the long run; the truth that finally overtakes you.
Our being is subject to all the chances of life. There are so many things we are capable of, that we could be or do. The potentialities are so great that we never, any of us, are more than one-fourth fulfilled.
Most people won't realize that writing is a craft. You have to take your apprenticeship in it like anything else.
Love must be learned, and learned again; there is no end to it.
We have the bad habit, some of us, of looking back to a time - almost any time will do - when society was stable and orderly, family ties stronger and deeper, love more lasting and faithful, and so on. Let me be your Cassandra prophesying after the fact, and a long study of the documents in the case: it was never true, that is, no truer than it is now.
[Marriage] is the merciless revealer, the great white searchlight turned on the darkest places of human nature.
Freedom is a dangerous intoxicant and very few people can tolerate it in any quantity.
But the great leveler, Death: not even the gods can defend a man, not even one they love, that day when fate takes hold and lays him out at last.
A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself -- or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind. You do not create a style. You work, and develop yourself; your style is an emanation from your own being.