Kathe Kollwitz

Kathe Kollwitz
KätheKollwitz,was a German artist, who worked with drawing, etching, lithography, woodcuts, painting, printmaking, and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman elected to the Prussian Academy of Arts...
NationalityGerman
ProfessionSculptor
Date of Birth8 July 1867
CountryGermany
While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.
There must be understanding between the artist and the people. In the best ages of art that has always been the case. Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius — and I count myself among these — have to restore the lost connection once more.
Every war carries within it the war which will answer it. Every war is answered by a new war, until everything, everything is smashed.
I thought I was a revolutionary and was only an evolutionary.
I can always paint very well with my eyes, but with my hands it doesn't always work out.
When Michelangelo was an old man, he drew himself sitting in a child's pushcart.
I do not want to die... until I have faithfully made the most of my talent and cultivated the seed that was placed in me, until the last small twig has grown.
It is my duty to voice the sufferings of humankind, the never-ending sufferings heaped mountain high. This is my task, but it is not an easy one to fulfill.
Old ideas die hard. We've had thousands of years of women having almost no rights. Parts of the world are in a struggle toward very basic human rights for women, and most of the world isn't even there yet. And it's going to take a long time to change these attitudes.
I have never been able to carry out any work coolly. On the contrary it is done, so to speak, with my own blood. Anyone who looks at my works must be able to sense that.