Kate Christensen
Kate Christensen
Kate Christensenis an American novelist. She won the 2008 PEN/Faulkner Award for her fourth novel, The Great Man, about a painter and the three women in his life. Her previous novels are In the Drink, Jeremy Thrane, and The Epicure's Lament. Her fifth novel, Trouble, was released in paperback by Vintage/Anchor in June 2010. Her sixth novel, The Astral, was published in hardcover by Doubleday in June 2011. She is also the author of two food-related memoirs, "Blue Plate Special"and...
NationalityAmerican
ProfessionNovelist
Date of Birth22 August 1962
CountryUnited States of America
husband real writing
I had to detach myself from myself, if that makes any sense, to conjure an authentic first-person voice. In that sense, it was similar to writing a first-person novel. But I was writing about real people, not fictional ones - myself, my family, my friends and boyfriends and ex-husband, and that was extremely tricky.
fun writing connections
Blogging is different from both journal-writing and writing for print. It's more fun than either of those. The freedom to write whatever I want and the unmediated connection with readers are the payoff.
book writing hard-work
Turning the blog into a book was extremely difficult, a tremendous amount of sustained, hard work. Blogging is easy; writing a book is difficult.
writing voice benefits
Another benefit is that the more I blog, the more I maintain and develop a first-person voice, which translates into a much greater ease with writing personal essays.
real writing exercise
Sometimes I think of blogging as finger exercises for a violinist; sometimes I think of it as mulching a garden. It is incredibly useful and helpful to my "real" writing.
writing self notion
I've always subscribed to the notion that a writer always has something else to say, and the more you write, the more you have to write about, because the act of writing is self-generating.
writing interesting risk
I was also writing in a tradition and trying to do something different with it, something that hadn't necessarily been done before, which was a risk, but it made it interesting. My relationship with food has been complicated and rocky and not always wonderful, and it's a lens through which my entire life and identity are refracted.
memories writing dark
I wanted to capture time through how food and I were getting along at any given moment. That necessitated writing some dark stuff, some sad stuff, and a lot of painful memories, because my life has often been dark, sad, and painful. I didn't want to sugarcoat anything.
stars book writing
Writing blog posts is totally freeing in a whole new way for me. I'm not writing it for any editor, and I'm not being paid, so I can say whatever I want. I don't have to justify the cost of a book to readers; they get it for free, so expectations are naturally low. (And no one-star reviews!)
aim cheer cooked fill generally meals plenty primary quick sad soup stomach warm
I've cooked plenty of meals when I was sad, lonely, depressed, angry, bored, and/or under the weather. My primary aim in these circumstances is generally to cheer myself up, to fill my stomach with something warm so I can feel comforted and fed, usually just with a quick soup or an omelet.
deep full looked loved prone rage socially strong thin
Even after he was gone, I still loved my father. I looked Norwegian, like him, with a long face, strong jaw, thin mouth, and flashing eyes. And, like him, I was verbal, easygoing, and low-key on the surface, and, deep down, proud, socially paranoid, full of self-loathing, and prone to rage at injustice.
beef chips collection davis pepper piece potato reaching
Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
outward
I've never been an outward rebel, but inside, I just rebel deeply.
computer front huge kicks leather occupation pajamas rather sitting star tame
I've always had rock star envy. Unfortunately, writing is a pedestrian, tame occupation done while sitting in coffee-stained pajamas in front of a computer rather than prowling around a huge stage in sweaty leather pants, so I have to get my kicks vicariously.