Juliette Binoche
Juliette Binoche
Juliette Binocheis a French actress, artist and dancer. She has appeared in more than 40 feature films, been recipient of numerous international awards, and has appeared on stage and in movies across the world. Coming from an artistic background, she began taking acting lessons during adolescence. After performing in several stage productions, she began acting in films by auteur directors Jean-Luc Godard, Jacques Doillonand André Téchiné, who made her a star in France with the leading role in his 1985...
NationalityFrench
ProfessionMovie Actress
Date of Birth9 March 1964
CityParis, France
CountryFrance
Maybe it's because my mother divorced and my grandmother divorced, so maybe I'm frightened deep down. But then I also feel there is no real need. Why do I need to get married? To reassure me? No I don't need reassurance.
I was used to theatre classes. I studied with my mother; she was a theatre teacher and directed, too, so it was very family-like. Then I studied with a great teacher in Paris, and she was wonderful; she pushed me, but she was a warm soul.
The best mother is the mother who adapts, and the best children are the children who adapt as well.
I like being a mother, and I want to be involved in my work, so I have to make choices. If you're a film actress, your career is from 20 to 45, but you can still dream.
I'm a fighter as a mother. I'm fighting to be a mother, but I cannot say no to my passion because it's me, as well.
The themes have to do with immigration, our past, and are we guilty when we're 6 years old, ... For me, the big subject is not what my husband in the film (Daniel Auteuil) has done as a child, but in not recognizing his fault, he's damaged someone's life. The theme is universal; it doesn't just belong to the French-Algerian past, but triggers something we all can share.
I wanted to have an international career, which I have, and be free to work with whoever I wanted to work with. My instinct was to go back to France afterwards. I went to do a small film, then I went back and forth.
You have to have the courage to wait, to say no, ... And that's difficult. This job is very uncertain, and it's frightening.
Movies are open doors, and at every door, I change character and life... I live for the present always. I accept this risk. I don't deny the past, but it's a page to turn.
We're here to be with her, and to help her in a spiritual way. I think our presence here is a way to sustain the possibility of freedom.
I've never thought of my characters as being sad. On the contrary, they are full of life. They didn't choose tragedy. Tragedy chose them.
Something triggers inside her when her husband focuses on the little girl, ... She feels abandoned. Finding this man who represents unity, being Jewish, solid, family-oriented, it triggers something deep in her that reassures her. And when he changes his focus, she feels completely abandoned.
I learned a lot last year about the current difficulties in independent film making. Money is promised one minute and gone the next. I was bitterly disappointed about Scheherazade. It was one of the best scripts I have ever read.
My experience has nothing to do with creation, I don't think, even though maturity is helpful. In a creation process, there's an intuition that takes you and if it's nourished with awareness and experience, it's great.