Julie Burchill
Julie Burchill
Julie Burchillis an English writer. Beginning as a journalist on the staff of the New Musical Express at the age of 17, she has subsequently contributed to newspapers such as The Sunday Times and The Guardian. Describing herself as a "militant feminist", she has several times been involved in legal action resulting from her work. Burchill is also an author and novelist: her 1989 novel Ambition became a best-seller, and her 2004 novel Sugar Rush was adapted for television...
NationalityBritish
ProfessionNovelist
Date of Birth3 July 1959
As I get older I think, contrary to modern assumption but in line with the old Lerner and Lowe song, that it would actually benefit both them and society if - to quote Professor Higgins - a woman could be more like a man.
I won't be going to any New Year's Eve parties because I think they're naff. No one over the age of 15 should bother going to parties.
When I started at the Guardian, though, I couldnt think of anything we saw eye to eye on, except feminism, and even this would soon be arguable as Guardian writers queued up to drool over Eminem.
Blakes Hotel in South Kensington was a particular favourite of mine during what I affectionately think of as my Restless Years.
But just think what a boring, bread-and-milk world this would be without the boastful.
A woman who looks like a girl and thinks like a man is the best sort, the most enjoyable to be and the most pleasurable to have and to hold.
When I moved to Brighton from London in 1995, I was struck by what I thought of as its townliness. A town, it seemed to me, was that perfect place to live, neither city nor country, both of which like to think they are light years apart but actually have a great deal in common.
Is the raggle-taggle Brangelina tribe any more bogus than that of the landlocked yummy mummy who believes that she can drop half a dozen brats and still keep a modest carbon footprint? I don't think so.
No matter how old and glorious the models, sad indeed is the woman who sees fashion as a means of self-expression rather than an agent of social control.
We are used to female writers who use their private lives as unmitigated material being somewhat hormonal; this somehow 'excuses' what might be seen as a highly unfeminine ability to turn their personal upsets into money.
What Mrs. Thatcher did for women was to demonstrate that if a woman had enough desire she could do what she wanted, do anything a man could do. . . . Mrs. Thatcher did not have one traditional feminine cell in her body.
As I have got older, I have found myself making friends with the ease and swiftness that other people pick up fuzzballs on their jumpers. And I believe it is probably my lack of longing for 'The One' that makes me so popular.
Shame, like beauty, is often in the eye of the beholder.
When I started at the 'Guardian,' though, I couldn't think of anything we saw eye to eye on, except feminism, and even this would soon be arguable as 'Guardian' writers queued up to drool over Eminem.