Julian Fellowes
Julian Fellowes
Julian Alexander Kitchener-Fellowes, Baron Fellowes of West Stafford and Deputy Lieutenant,is an English actor, novelist, film director and screenwriter, and a Conservative peer of the House of Lords. Fellowes is primarily known as the author of several Sunday Times best-seller novels; for the screenplay for the film Gosford Park, which won the Academy Award for Best Original Screenplay in 2002; and as the creator, writer and executive producer of the multiple award-winning British television series Downton Abbey...
NationalityEnglish
ProfessionScreenwriter
Date of Birth7 August 1949
CityCairo, Egypt
I think the reason why people love 'Downton Abbey' is because all the characters are given the same weight. Some are nice, some are not, but it has nothing to do with class or oppressors versus the oppressed.
Lust, that state commonly known as 'being in love,' is a kind of madness. It is a distortion of reality so remarkable that it should, by rights, enable most of us to understand the other forms of lunacy with the sympathy of fellow-sufferers. But, paradoxically, mad and suffering as one is, and the heat of the flame, few of us are glad as we feel that passion slip away No, while most people have been at their unhappiest when in love, it is nevertheless the state the human being yearns for above all.
He's lived a fiction. And, of course, he thinks that if you love someone enough, they will love you. And that if you steer things enough, things will, under your control, come right. And this is the fiction of the controller: a controller thinks that they can control their life into being what they want it to be. But their life will never be what they want it to be until they stop controlling, and that is their journey.
You are my whole existence and I will love you until my last breath.
What a difference a day makes, ... The Oscar gave me all these opportunities. It's a magic wand.
There isn't much point in the whole 'celebrity' nonsense unless one is prepared to go out on a limb and, one hopes, speak up for some under-represented section of the community.
When you make your first film, there is a hell of a lot to think about, and you've got to have a gut understanding of your material.
Well, you've got to be known for something. The danger of extreme versatility is that you don't spring to mind for anything.
What I dislike about movie culture is that it often presents a parable of our problems - but the issues are all straightforward and the people are either nice or they're not. In real life, everyone falls between those perimeters, but not many American films operate in that grey area.
I like to take a long time over breakfast, and I can't bear to talk. If a guest is a breakfast talker it's very important to invite another so they can talk to each other. Otherwise they spoil the newspaper reading and everything else.
There are some men who are frightened by strong women and some men who are nurtured by them and feel nervous, with weak clinging vines. And I am very much of the latter category.
There is almost nothing in your house that does not tell something about you.
The '20s are a very interesting period to me.
I think America has dealt with - I mean, this is simplistic, and of course I don't live in America - but the impression I get is that there is not a kind of obligation to dislike those who are better off or be frightened of those who are worse off.