Julian Barnes
Julian Barnes
Julian Patrick Barnesis an English writer. Barnes won the Man Booker Prize for his book The Sense of an Ending, and three of his earlier books had been shortlisted for the Booker Prize: Flaubert's Parrot, England, England, and Arthur & George. He has also written crime fiction under the pseudonym Dan Kavanagh. In addition to novels, Barnes has published collections of essays and short stories...
NationalityEnglish
ProfessionNovelist
Date of Birth19 January 1946
strong memories powerful
But I’ve been turning over in my mind the question of nostalgia, and whether I suffer from it. I certainly don’t get soggy at the memory of some childhood knickknack; nor do I want to deceive myself sentimentally about something that wasn’t even true at the time—love of the old school, and so on. But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty.
feelings guilt stronger
And no, it wasn't shame I now felt, or guilt, but something rarer in my life and stronger than both: remorse. A feeling which is more complicated, curdled, and primeval. Whose chief characteristic is that nothing can be done about it: too much time has passed, too much damage has been done, for amends to be made.
strong fear women
Women scheme when they are weak, they lie out of fear. Men scheme when they are strong, they lie out of arrogance.
strong memories short-life
When you are in your twenties, even if you're confused and uncertain about your aims and purposes, you have a strong sense of what life itself is, and of what you in life are, and might become. Later.. later there is more uncertainty, more overlapping, more backtracking, more false memories. Back then, you can remember your short life in its entirety. Later, the memory becomes a thing of shreds and patches.
historical luxurious oyster sides sixties throat touching
The Sixties were an oyster decade: slippery, luxurious and reportedly aphrodisiac they slipped down the historical throat without touching the sides
happiness happy secret
The secret of happiness is to be happy already
counts defeat easily frailty full life quite work
The writer's life is full of frailty and defeat like any other life. What counts is the work. Yet the work can quite easily be buried, or half-buried, by the life.
castle constantly mines picasso smoke solid time
Braque was like some hilltop castle that Picasso was constantly besieging. He invests it, bombards it, mines it, assaults it - and each time the smoke clears, the castle is as solid as ever.
agreed eyes grew opinion
You grew old first not in your own eyes,but in other people's eyes;slowly,you agreed with their opinion of you.
adventure against ambiguous assume brought case confuse final invent people popular quite relationship solve sort successful turn writer
I think he had a quite sort of ambiguous relationship to Holmes. It made him rich, it made him famous, but as often the case with these things, a writer can turn against his or her most successful creation; hence, he killed him off (in 'The Adventure of the Final Problem') and brought him back by popular request. And, of course, people did sort of confuse them and assume if he could invent these complicated mysteries, then he could also solve them.
book considered fact few george left matter
I briefly considered writing it as a non-fiction book but the fact of the matter is that George left few traces,
boy holmes moment sherlock
I did read Sherlock Holmes as a boy but I never thought for a moment that I'd ever write about Doyle,
disappointment bridges piers
A pier is a disappointed bridge.
past differences age
It strikes me that this may be one of the differences between youth and age: when we are young, we invent different futures for ourselves; when we are old, we invent different pasts for others.