Joyce Carol Oates
Joyce Carol Oates
Joyce Carol Oatesis an American writer. Oates published her first book in 1963 and has since published over 40 novels, as well as a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction. She has won many awards for her writing, including the National Book Award, for her novel them, two O. Henry Awards, and the National Humanities Medal. Her novels Black Water, What I Lived For, Blonde, and short story collections The Wheel of...
NationalityAmerican
ProfessionNovelist
Date of Birth16 June 1938
CityLockport, NY
CountryUnited States of America
Joyce Carol Oates quotes about
For the first time driving that day I could feel the motion of the Earth. The Earth rushing through the emptiness of space. Spinning on its axis but they say you don't feel it, you can't experience it. But to feel it is to be scared and happy at once and to know that nothing matters but that you do what you want to do and what you do you are. And I knew I was moving into the future. There is not PAST anybody can get to, to alter things or ever to know what those things were but there is definitely a future, we are already in it.
But he doesn't love her. I invented that. It is a plot if you imagine people in love--the lazy looping criss crosses of love, blows, stares, tears. No. It doesn't happen. No love. People meet, touch, stare into one another's faces, shake their heads clear, move on, forget. It doesn't happen.
My own way of writing is very meditated and, despite my reputation, rather slow-moving. So I do spend a good deal of time contemplating endings. The final ending is usually arrived at simply by intuition.
Ambitious, absorbing, and poignantly moving.
I should say, one of the things about being a widow or a widower, you really, really need a sense of humor, because everything's going to fall apart.
Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.
Where we come from in America no longer signifies. It's where we go, and what we do when we get there, that tells us who we are.
I am concerned with only one thing, the moral and social conditions of my generation.
In 'We Were the Mulvaneys,' animals are almost as important as people. I wanted to show the tenderness in our relationships with cats, dogs, and horses. Especially cats.
Dust jackets are always something of an enigma to me.
Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another?
The most common misperception about me is that I write fast. I just write often. Every hour that I can.
A writer can't subtract or excise any of his/her past because doing so would erase the work produced during that time.
It is not her body that he wants but it is only through her body that he can take possession of another human being, so he must labor upon her body, he must enter her body, to make his claim.