Joyce Carol Oates
Joyce Carol Oates
Joyce Carol Oatesis an American writer. Oates published her first book in 1963 and has since published over 40 novels, as well as a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction. She has won many awards for her writing, including the National Book Award, for her novel them, two O. Henry Awards, and the National Humanities Medal. Her novels Black Water, What I Lived For, Blonde, and short story collections The Wheel of...
NationalityAmerican
ProfessionNovelist
Date of Birth16 June 1938
CityLockport, NY
CountryUnited States of America
Joyce Carol Oates quotes about
Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings and themes - but the difficulty is choosing a voice and a language in which to present it.
Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring.
Novels usually evolve out of 'character.' Characters generate stories, and the shape of a novel is entirely imagined but should have an aesthetic coherence.
There should really not be anything gratuitous in a work of art. Sometimes what seems as if it's gratuitous may be a passage in which a character is being characterized so that the reader comes to know him or her better.
To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them.
We are all regionalists in our origins, however 'universal' our themes and characters, and without our cherished hometowns and childhood landscapes to nourish us, we would be like plants set in shallow soil. Our souls must take root - almost literally.
My nature is orderly and observant and scrupulous and deeply introverted.
If Shakespeare's great plays are variants of stories, even novels, you can see how each character is telling his story from his perspective; each is vying with the others for dominance, but in the end, in tragedy, most of these voices will die, to be replaced by the yet more vigorous voice of a younger generation.
I rarely write in my own voice except in book reviews and memoirs; otherwise, I am writing in mediated voices, modulated in terms of the characters whom the voices express.
To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.
I should say, one of the things about being a widow or a widower, you really, really need a sense of humor, because everything's going to fall apart.
Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.
Where we come from in America no longer signifies. It's where we go, and what we do when we get there, that tells us who we are.
I am concerned with only one thing, the moral and social conditions of my generation.