Joyce Carol Oates
Joyce Carol Oates
Joyce Carol Oatesis an American writer. Oates published her first book in 1963 and has since published over 40 novels, as well as a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction. She has won many awards for her writing, including the National Book Award, for her novel them, two O. Henry Awards, and the National Humanities Medal. Her novels Black Water, What I Lived For, Blonde, and short story collections The Wheel of...
NationalityAmerican
ProfessionNovelist
Date of Birth16 June 1938
CityLockport, NY
CountryUnited States of America
Joyce Carol Oates quotes about
As a child. I grew up on a small farm, so I did a lot of drawings of animals, chickens and people. At the bottom of every page, I'd put a strange scribble. I was emulating adult handwriting, though I didn't actually know how to write.
You people who have survived childhood don't remeber any longer what it was like. You think children are whole, uncomplicated creatures, and if you split them in two with a handy axe there would be all one substance inside, hard candy. But it isn't hard candy so much as a hopeless seething lava of all kinds of things, a turmoil, a mess. And once the child starts thinking about this mess he begins to disintegrate as a child and turns into something else--an adult, an animal.
Adriana loved even the rank animal smell of the man's body, her sweat-slicked breasts and belly flattened beneath him, and her arms and legs clutching him as a drowning woman might clutch another person to save her life. Don't don't don't don't leave me. DON'T LEAVE ME. As in animal copulation the frenzy is to be locked together not out of sentiment or choice but physical compulsion. As if bolts of electric current ran through both their bodies and would only release them from each other when it ceased.
I should say, one of the things about being a widow or a widower, you really, really need a sense of humor, because everything's going to fall apart.
Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.
Where we come from in America no longer signifies. It's where we go, and what we do when we get there, that tells us who we are.
I am concerned with only one thing, the moral and social conditions of my generation.
In 'We Were the Mulvaneys,' animals are almost as important as people. I wanted to show the tenderness in our relationships with cats, dogs, and horses. Especially cats.
Dust jackets are always something of an enigma to me.
Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another?
The most common misperception about me is that I write fast. I just write often. Every hour that I can.
A writer can't subtract or excise any of his/her past because doing so would erase the work produced during that time.
It is not her body that he wants but it is only through her body that he can take possession of another human being, so he must labor upon her body, he must enter her body, to make his claim.
My theory is that literature is essential to society in the way that dreams are essential to our lives. We can't live without dreaming - as we can't live without sleep. We are 'conscious' beings for only a limited period of time, then we sink back into sleep - the 'unconscious.' It is nourishing, in ways we can't fully understand.