Joss Whedon

Joss Whedon
Joseph Hill "Joss" Whedonis an American screenwriter, film and television director, film and television producer, comic book author, and composer. He is the founder of Mutant Enemy Productions and co-founder of Bellwether Pictures, and is best known as the creator of the television series Buffy the Vampire Slayer, Angel, Firefly, Dollhouseand Agents of S.H.I.E.L.D....
NationalityAmerican
ProfessionDirector
Date of Birth23 June 1964
CityNew York City, NY
CountryUnited States of America
Bottom line is, even if you see them coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So, what are we, helpless? Puppets? Nah. The big moments are gonna come, you can't help that. It's what you do afterwards that count. That's when you find out who you are.
I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story.
I wrote movies every week, that's what I did. It was about finding that moment that is so good, so romantic, so heroic, so exciting - and I literally had producers telling me, 'You have too much visual information.' Because most television is radio with faces. But I kept pushing against it, so the show resonated, and felt bigger than it was.
My mom is a teacher, my dad was a writer for television, his dad was a writer for television, and combining those two has been sort of the goal of my life.
My mom and dad were divorced, and although they got along very well, my mom thought American television was reprehensible, so I was raised on the BBC. I kind of agreed with her. We watched American news, though.
I kept telling my mom that reading comic books would pay off.
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]
When Roseanne read the first script of mine that got into her hands without being edited by someone else she said, 'How can you write a middle-aged woman this well?' I said, 'If you met my mom you wouldn't ask'.
It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.
I didn't know feminism was actually a thing until I left home and found out the country didn't run the way my mom's house did,
When it comes to the iconic moments, you sort of have to take all of those things and distill them the same way the costumers do and everybod Distill them and then find your own. The most iconic moment in the movie is, assuming they do, when they assemble.
The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.
I've never met a well-adjusted person. It's weird.
I've often said there's no such thing as a track record in TV. I seen people who created things much more successful than mine treated like dirt.