Joshua Reynolds
Joshua Reynolds
Sir Joshua Reynolds RA FRS FRSAwas an influential eighteenth-century English painter, specialising in portraits. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769...
NationalityEnglish
ProfessionPainter
Date of Birth16 July 1723
blue color yellow
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and transparent colors, have the effect of grandeur.
color use copying
The great use of copying, if it be at all useful, should seem to be in learning color; yet even coloring will never be perfectly attained by servilely copying the model before you.
color two simplicity
Grandeur of effect is produced by two different ways which seem entirely opposed to each other. One is by reducing the colors to little more than chiaroscuro... and the other, by making the colors very distinct and forcible... but still, the presiding principle of both those manners is simplicity.
art writing color
Style in painting is the same as in writing; a power over materials, whether words or colors, by which conceptions or sentiments are conveyed.
art color drawing
The first degree of proficiency is, in painting, what grammar is in literature, a general preparation for whatever the student may afterward choose for more particular application. The power of drawing, modeling, and using colors, is very properly called the language of the art.
gathered images strictly
Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory; nothing can come of nothing.
american-inventor expedient man
There is no expedient to which a man will not go to avoid the labor of thinking.
art ambition mean
But young men have not only this frivolous ambition of being thought masters of execution, inciting them on the one hand, but also their natural sloth tempting them on the other. They are terrified at the prospect before them, of the toil required to attain exactness. The impetuosity of youth is disgusted at the slow approaches of a regular siege, and desires, from mere impatience of labour, to take the citadel by storm. They wish to find some shorter path to excellence, and hope to obtain the reward of eminence by other means, than those which the indispensable rules of art have prescribed.
views purpose different
Raphael and Titian seem to have looked at Nature for different purposes; they both had the power of extending their view to the whole; but one looked only for the general effect as produced by form, the other as produced by colour.
taken hands understanding
It is impossible that anything will be well understood or well done that is taken into a reluctant understanding, and executed with a servile hand.
imitation raised contrast
By close inspection... you will discover the manner of handling the artifices of contrast, glazing, and other expedients, by which good colorists have raised the value of their tints, and by which nature has been so happily imitated.
degradation painter heard
I have heard painters acknowledge, though in that acknowledgment no degradation of themselves was intended, that they could do better without nature than with her; or as they express themselves, 'that it only put them out.
heart design attention
The painter of genius will not waste a moment upon those smaller objects which only serve to catch the sense, to divide the attention, and to counteract his great design of speaking to the heart.
distance light may
However minutely labored the picture may be in the detail, the whole will have a false and even an unfinished appearance, at whatever distance, or in whatever light it can be shown.