Jose Ortega y Gasset
Jose Ortega y Gasset
José Ortega y Gassetwas a Spanish liberal philosopher, and essayist. He worked during the first half of the 20th century, while Spain oscillated between monarchy, republicanism, and dictatorship. His philosophy has been characterized as a "philosophy of life" that "comprised a long-hidden beginning in a pragmatist metaphysics inspired by William James, and with a general method from a realist phenomenology imitating Edmund Husserl, which served both his proto-existentialism and his realist historicism, which has been compared to both Wilhelm Dilthey...
NationalitySpanish
ProfessionPhilosopher
Date of Birth9 May 1883
CountrySpain
Thinking is the desire to gain reality by means of ideas.
Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world
The masses think that is is easy to flee from reality, when it is the most difficult thing in the world.
The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands.
tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality.
The real magic wand is the child's own mind.
There are, above all, times in which the human reality, always mobile, accelerates, and bursts into vertiginous speeds. Our time is such a one, for it is made of descent and fall.
To be surprised, to wonder, is to begin to understand.
Youth does not require reasons for living, it only needs pretexts.
We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.
By speaking, by thinking, we undertake to clarify things, and that forces us to exacerbate them, dislocate them, schematize them. Every concept is in itself an exaggeration.
The poet begins where the man ends. The man's lot is to live his human life, the poet's to invent what is nonexistent.
Human vitality is so exuberant that in the sorriest desert it still finds a pretext for glowing and trembling.
The form most contradictory to human life that can appear among the human species is the "self-sat-isfied man.