Jonathan Safran Foer
Jonathan Safran Foer
Jonathan Safran Foeris an American novelist. He is best known for his novels Everything Is Illuminated, Extremely Loud and Incredibly Close, and for his non-fiction work Eating Animals. He teaches creative writing at New York University...
NationalityAmerican
ProfessionWriter
Date of Birth21 February 1977
CountryUnited States of America
leaving down-and faces
...he was leaving me. I wondered if I should stop him. If I should wrestle him to the ground and force him to love me. I wanted to hold his shoulders down and shout into his face.
hurt leaving trying
Why are you leaving me? He wrote, I do not know how to live. I do not know either but I am trying. I do not know how to try. There were some things I wanted to tell him. But I knew they would hurt him. So i buried them and let them hurt me
leaving want what-you-deserve
I have so much to say to you. I want to begin at the beginning, because that is what you deserve. I want to tell you everything, without leaving out a single detail. But where is the beginning? And what is everything?
leaving forgiving coming-back
I can forgive you for leaving, but not for coming back.
became claim high identities people school seemed vegetarian whose
In high school I became a vegetarian more times than I can now remember, most often as an effort to claim some identity in a world of people whose identities seemed to come effortlessly.
ask best
The best books are the ones that ask the most questions.
again confronted fish living might problem sharing
Again and again we are confronted with the reality - some might say the problem - of sharing our space with other living things, be they dogs, trees, fish or penguins.
conversation starts
What the world does not need is a Haggadah that pats itself on the back. It needs a Haggadah that gets out of the way, that starts a conversation and gets out of the way.
art
There's no being wrong in seeing something in art, only being disagreed with.
food longer obsessed obsession price sad sort
There's never been a culture that wasn't obsessed with food. The sort of sad thing is that our obsession is no longer with food, but with the price of food.
asking move
You write to please yourself, you write to move yourself, to engage yourself in the asking of questions that are important to you.
clear draw good hard life necessary
It's hard to draw clear lines between writing and life and I don't think it is necessary to or necessarily good to.
It's possible to make things that aren't just money-makers. Something wonderful for its own sake.
excited larger picture time worth
It's not worth getting too excited about thinking about the larger picture. The larger picture doesn't come into focus for an awfully long time.