Jonathan Levine

Jonathan Levine
Jonathan A. Levineis an American film director and screenwriter. He is probably best known for directing 50/50 in 2011...
NationalityAmerican
ProfessionDirector
Date of Birth18 June 1976
CountryUnited States of America
community explain police
I want the police to acknowledge that what they did was wrong. They need to explain to the community why they did this to me.
critical critics hope life liked looking lucky obsess people reactions tomato
I used to obsess on critical reactions to my films, and it's really not a healthy way to live your life, so my new take on it is simply, 'I hope people like it!' I'm not going to be looking at the tomato meter for at least a year! I was very lucky on '50/50' that most critics really liked it.
allow characters fan great hal home huge love
I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.
against brought charge help leave police
Every charge they brought against me was bogus. The police don't like me and wanted me to leave town. I have done nothing but help the community.
fell grabbed knew love
'Warm Bodies' was a more long-term thing; I had to write the script, who knew if it was every really going to happen, if I'd find the right actors, and so on, so I grabbed '50/50' because I just fell in love with it.
assistant dialogue entire happen knowing mapped months paul plot six
I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.
anyone chart filmmaker fit letting pigeonhole specific trying
I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.
almost coyote horror movies
Usually, the kills are almost Wile E. Coyote kind of things in horror movies.
bit box calling came exciting movies offered people saw since stop though time
Right after 'The Wackness' came out, it was a really exciting time, and then it was a bit disappointing when it came out. Even though not that many people saw it, I was still getting offered some movies. I was thinking that people would just stop calling me since it didn't do very well at the box office.
I have a cameo in every movie. In '50/50,' I'm in the back of the bus.
capture life movies sort tone
It's rare that movies can sort of capture the tone of life; movies always feel like they have to be one thing or another.
almost natural picky point
As a director, there's no natural career progression. So after 'The Wackness,' which was very personal to me, I was very, very picky about what I was going to do next, to the point where I think that I was almost too picky.
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I think that's the great thing about zombies, is, you know, going back to even 'Night of the Living Dead,' they've always been a tool for kind of holding up a mirror to us and showing us something about ourselves that we might not otherwise know.
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I was actually shooting 'Warm Bodies' on the day that '50/50' came out, which I don't recommend to other filmmakers because I was sort of a wreck. Actually, it was good for me, because I had work to do, so I couldn't obsess all day and be checking how '50/50' was doing!