Jonathan Coe

Jonathan Coe
Jonathan Coeis an English novelist and writer. His work has an underlying preoccupation with political issues, although this serious engagement is often expressed comically in the form of satire. For example, What a Carve Up! reworks the plot of an old 1960s spoof horror film of the same name. It is set within the "carve up" of the UK's resources which some feel was carried out by Margaret Thatcher's Conservative governments of the 1980s. One claim to fame that Coe...
NationalityEnglish
ProfessionNovelist
Date of Birth19 August 1961
It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.
Some people don't realize that a straight 'No' can be the kindest answer in the world.
We say, 'Shall we meet for a drink?', as though drinking were the main end of the appointment, and the matter of company only incidental, we are so shy about admitting our need for one another.[...]We say, 'Would you like to come for some coffee?', as though it were less frightening to acknowledge that we are heavily dependent on mildly stimulating drinks, than to acknowledge that we are at all dependent on the companionship of other people.
I'm one of those unlucky people who had a happy childhood.
Sometimes I feel that I am destined always to be offstage whenever the main action occurs. That God has made me the victim of some cosmic practical joke, by assigning me little more than a walk-on part in my own life. Or sometimes I feel that my role is simply to be a spectator to other people's stories, and always to wander away at the most important moment, drifiting into the kitchen to make a cup of tea just as the denouement unfolds.
I sometimes think that we fiction writers lag behind nonfiction counterparts in adventurousness, willingness to tackle forgotten areas of history but... we get there in the end.
So no, I'm pleased if it's been influential for many readers, but at the time I didn't even know that it was going to have any readers.
I'm shy of comparisons to Dickens because he's one of the absolute greats and it's silly to compare a contemporary novelist with someone.
From our perspective, the session was a success.
So it was primarily a desire to write about that period in one's life rather than that period in history or in British culture or whatever.
Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do.
Everybody is excited by his experience and enthusiasm. Everybody is impressed.
They were written in the early '90s when I was strapped for cash.
The fact that it was a TV sitcom rather than a literary novel is neither here nor there, as far as I'm concerned.