Jonah Hill

Jonah Hill
Jonah Hill Feldstein, known professionally as Jonah Hill, is an American actor, producer, and comedian. Hill is known for his comedic roles in films such as Accepted, Superbad, Knocked Up, 21 Jump Street, This Is the End, and 22 Jump Street, as well as his performances in Moneyballand The Wolf of Wall Street, for which he received Academy Award nominations for Best Supporting Actor...
NationalityAmerican
ProfessionActor
Date of Birth20 December 1983
CountryUnited States of America
The great thing about 'Allen Gregory' is that we try to make it really questionable that the things he says have happened, have really happened. We like that ambiguity.
I'm sure a bunch of 15-year-old kids would way rather I do 'Superbad 2' than 'Moneyball.' But I would love to do movies like 'Superbad' and movies like 'Moneyball.'
I always wanted to be a film-maker when I was younger, not an actor. I was an eight-year-old who dreamed of being a writer on 'The Simpsons,' which was a weird dream to have. But I started taking acting classes as a way to learn how to direct actors and I sort of fell in love with it.
I grew up in the '80s in L.A., so Ice Cube and Magic Johnson are my heroes.
I directed my first music video for Sara Bareilles. I like writing and directing. I co-wrote '21 Jump Street' and I'm in that. To me, they all inform the other one. I think writing makes you a better actor, acting makes you a better writer, directing makes you better at both. To me, I'm just trying to learn as much as possible.
It's almost like, when someone plays poker for the first time, they might be a professional poker player out of ignorance, just accidentally winning. That was how it felt in my first stand-up appearance.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
Look, at the same time that I don't want to be a celebrity, I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like, 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept.
All my friends were in college when I was making 'Superbad.' We were drinking beer and watching movies and eating pizza. It wasn't like I was going to nice restaurants or anything like that, and I lived like a frat guy. Eventually it was time to grow up, be healthy and be responsible. You can't live like a kid forever, you know?
I think this movie, 'Moneyball,' symbolizes becoming a man for me, and I think my character becomes a man. It's important to me: I'm becoming a man. I'm taking my life seriously. I'm taking my acting really seriously, and it's important for me to play adults. It's important for me to change and develop as I get older.
I think a lot of actors, sometimes what happens I think is that actors finish a movie and they go, 'Oh my god, I'm never going to work again,' even big huge actors, and so they'll take something thinking that something else will never come along.
The great romance of your youth is your best friend at that age.
Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie.
I started writing and acting in these little plays and then I was discovered by Dustin Hoffman. He got me my first audition for a film he was in, called 'I Heart Huckabees.'