Jon Favreau
Jon Favreau
Jonathan Kolia "Jon" Favreauis an American actor, filmmaker and comedian. As an actor, he is known for roles in films such as Rudy, Swingers, Very Bad Things, The Break-Up, and Chef. He has also directed the films Elf, Iron Man, Iron Man 2, Cowboys & Aliens, and The Jungle Book, and served as an executive producer on The Avengers, Iron Man 3, and Avengers: Age of Ultron. Favreau appeared as Pete Becker, Monica Geller's boyfriend during season three of the...
NationalityAmerican
ProfessionActor
Date of Birth19 October 1966
CountryUnited States of America
bring constantly geared kids line movies problem toward walking wants watching
The kids movies aren't very good, so the kids end up watching movies that are more geared toward adults. My 4-year-old wants to see 'Spider-Man.' But the problem is, if he's watching 'Batman' or 'Spider-Man,' it's not a movie that's made for him. And so, as a parent, you're constantly walking that line of 'Do I bring him to 'Fantastic Four'? Do I bring him to this?'
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At first you want to have a reputation as being talented or funny or...you know...special. As you go through it you just the biggest compliment you can get is to be...to get recognized that you're a real pro and consummate professional.
dedicated estate facial power processing takes
There's a lot of real estate in our brain dedicated to facial recognition and to physics. That takes a lot of processing power out of our brain.
amount area beginning break cast chose depict felt fresh genre ground proper reason stale successful voice
I think that part of the reason that 'Iron Man' was so successful was that we really chose to break new ground in a new area tonally, cast wise, the way we depict the hero, what his abilities are. It felt fresh in a genre that is beginning to feel stale if it's not done with the proper amount of inspiration and a strong voice or tone.
almost best both mean movies profitable reviews standards superhero worked
For something to be profitable doesn't necessarily mean it's the best thing in the world for the director. You judge a movie by different standards - I've worked on comedies, and now I've worked on superhero movies, and the reviews are almost parenthetical in both of those genres.
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I know that when I watch TV, I want to be transformed and transported, not just by the characters that I grow to love over the hours and seasons of watching but also the world that it plants me into.
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I like happy endings in movies. I think life has a happy ending. When it's all said and done, it's all something worthwhile, and I want my movies to reflect that. There are enough things to be sad about. When you pop in a movie, let the message be one that's one of hope.
clearly hating reading trying
I like reading reviews. If they're clearly hating on you, I try not to read that deeply. But if they really are trying to understand, it's interesting.
everybody splash
Everybody loves a hit. There is nothing as fun as making a cultural splash with a movie.
bought chicago fantasy figured might mine quit saw sort stopped street wall worked york
I was 22 and had worked on Wall Street for a year, and quit my job. I bought a motorcycle and sort of had this fantasy that I'd go cross-country like 'Easy Rider.' I went from New York to L.A., and on the way back, I stopped in Chicago and saw a friend of mine who was into improv. And I figured it might be fun to give it a shot.
ask enjoy good sure throwing time
I want to make sure everyone's having a good time because when I ask you to come to my movie, I'm throwing a party for you. I want you to enjoy it.
good
I'm not on chef level, but I'd make a good line cook. That's not too shabby.
adored cool gen indie movies true zombie
I just adored 'Shaun Of The Dead.' That's a true mashup. That's a real Romero-era zombie movie and a real Gen X indie comedy. That was before zombie movies were cool, before 'Zombieland' and 'I Am Legend,' and now it has become a whole sub-genre.
dialogue feeling few hit jokes laughs might naturalism opposed rather sail single subtle
I like a naturalism to my dialogue and my comedy. I would rather have a few jokes sail by that might be more subtle than have every single joke hit hard. I would rather the comedy come out of character as opposed to feeling forced. Even if you're giving some laughs up for it.