John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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Old white guys can be a funny bunch, can't they? The same anti-same-sex marriage, anti-affirmative action cadre can flower into the biggest supporters of 'equality' the minute they get a whiff of minority empowerment.
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It's not that white guys shouldn't be allowed to engage in discussions on race in America. But there's nothing more exhausting than white male liberals' dogmatisms on race that were clearly formed during a conversation they had with that one black guy they met back in college.
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At the risk of sounding like that old guy in 'Gran Torino' telling those 'young punks' to 'get off my lawn,' it's gotten to the point that whenever I hear somebody talking about Twitter or twittering or tweeting, it just makes my little tummy want to hurl.
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If faux liberal white guys want to support and defend Obama, by all means please do so. But I would suggest they try to limit that support to matters of policy and not perspectives on race.
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In every election cycle that I can recall, there comes a moment - or a few - where charges of elitism and claims of commonness are wielded by presidential candidates like a sword and shield: 'Vote for me 'cause I'm one of you. It's the other guy who's out of touch.'
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I've never been much of a European traveler. London once on a book tour, and Italy because that's where Ferraris are from. That's about it.
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Reactionary conservatives are smiling through the racial apocalypse. To them, race baiting is a joke, as 'humorist' Rush Limbaugh will tell you when he's calling Mexicans 'stupid.' Or it's a matter of semantics when they claim that Sonia Sotomayor is a 'racialist' which, far as I can tell, is the smooth jazz version of being a racist.
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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Conservative talkers love to throw numbers around: their ratings and their audience size. And to be sure, they have a sizable audience which numbers in the tens of millions. But having people tune in and being able to dictate their actions are two different things.
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There's no disputing that for pols, the Internet is a great way to connect with people and raise some cash and post 'Sopranos' parodies or play your opponent's macaca moments. But in a 'net root' sense, it's pretty useless for getting someone elected.
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I still have my first 'Black Lightning' that I got way back in the day, and my first 'Steel.' And I proudly display those comics, by the way. I have a lot of comics, but those are among the ones that mean the most to me.
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It does no good to believe in what does not exist to the point one cannot focus on what is real. That would be the greatest tragedy of any 'conspiracy.'
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White folks, no matter how well-meaning or open-minded, have no true idea what it's like to be black in America. That's not a slam against white people or an accusation of latent bigotry. But the fact is that we all live in an Anglo-dominated society.
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If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.