John Niven
John Niven
John Niven is a Scottish author and screenwriter. His books include Kill Your Friends, The Amateurs, and The Second Coming...
NationalityScottish
ProfessionAuthor
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I spend a fair bit of time in Los Angeles, and there is much I love about the place - the weather, the food, the beaches and the golf. And a few things I don't. Like the way an enormous number of mentally ill people seem to be forced to live on the streets with little or nothing in the way of government assistance.
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I understand that some people like certain things more than others, but by the time you are an adult, you really should be able to sit down and eat pretty much anything.
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My family went to Toronto to visit relatives when I was 13 or 14. It was the first time we had ever been abroad. This was the early Eighties, and I remember the impossible glamour of air travel - my mum spending days trying to decide what she was going to wear on the plane.
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I've forgotten the birthdays of everyone close to me. I have forgotten to pay bills, file tax returns on time, go to meetings, and, every week, I forget to put the bins out. But I have never forgotten I want my lunch.
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It wasn't until my teenage years that a book really left a mark, and that was George Orwell's 'Nineteen Eighty-Four.' It was on the syllabus at school when I was about 16, and I went on to read more of his books. It was the height of the Cold War, so a lot of the messages really resonated at the time.
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A novel I read when I was about 17 or 18 - 'The World According to Garp,' by John Irving - really made me want to become a writer. The character of Garp is a novelist, and at the time, the whole lifestyle of being a writer was hugely appealing to me.
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I returned from my last L.A. visit to find myself tipping the scales like Homer Simpson when he tries to gain enough weight to qualify as disabled to be allowed to work from home. All I was missing was his kaftan and Fat Guy Hat. So, I decided it was time to diet.
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I once worked at a record label called London Records. The company was owned by Roger Ames, one of the most successful figures in the British music industry. Roger always placed a value on loafing, on holidays, on not being in the office all the time.
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If I hadn't had that decade in the music industry and, perhaps more importantly, time to reach the point of being sick and disgusted with it, I wouldn't have written 'Kill Your Friends.' That book gave me my whole career.
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The Clash had a unique, special relationship with Scotland. Perhaps it was something to do with the energy, anger and beauty in their music. In Scotland at that time, there was a lot of to be angry about. And a great need of some energy and beauty.
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The last time I saw Dad alive, he was in the hospital. He was watching 'Hell Drivers,' a crummy B-movie about truckers, on TV and reading the 'Daily Record.' This seems scarcely believable, but I actually said, 'Dad, you've not got long to go - don't you think you should be imbibing the culture a bit more?'
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I've never understood why the end of a relationship - especially one involving children - has to immediately signal a descent into hatred and toxicity.
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I've often found myself looking fondly at the Valentine's cultures in other countries. South Korea, for instance - where women must give chocolate to men.
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The sight of people sleeping on the streets hits us hardest around Christmas and New Year. We see them camped out alone on the freezing concrete, and we think, with a rush of guilt, about heading home to our families and our soft beds.