John Lurie

John Lurie
John Lurieis an American musician, painter, actor, director, and producer. He co-founded The Lounge Lizards jazz ensemble, acted in 19 films, including Stranger than Paradise and Down by Law, composed and performed music for 20 television and film works, and produced, directed, and starred in the Fishing with John television series. In 1996 his soundtrack for Get Shorty was nominated for a Grammy Award, and his album The Legendary Marvin Pontiac: Greatest Hits has been praised by both critics and...
NationalityAmerican
ProfessionActor
Date of Birth14 December 1952
CountryUnited States of America
I've been through this fame thing before, when the band was big in '80, '81.
The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
When I first got sick, they told me I had a year to live, and I was writing my memoir really fast. There were really weird things happening with my nervous system and my heart and stuff, and it didn't look like I was gonna make it, so I was writing really fast, and then I couldn't write anymore.
I've had encounters with animals that have been really mystical. I've always been really into animals. But the way they appear in the paintings, they come from my mind's eye more than: 'I'm gonna draw a dog now.' It isn't thought out: 'Now I'm gonna draw a bird.' They just appear.
What I believe to be jazz is constructed and improvised music which is in the air right now. But I don't think that's most people's definition of jazz, you know? We don't know what we're talking about, because we don't know the definition.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
My musical education started in the limelight, because I found myself surrounded by real musicians, but after my career had taken off.
I like to draw and paint. It is a river to me.
I had a mystical experience when I was in my late teens, early 20s, and I spent years trying to recapture that.
I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.
But, you know, I'd be happy just making music.
The loss of music is very painful, and I don't revisit stuff unless there is a solid reason to do it.
I play music, I paint - these things come from your depths.
I'd always maintained an image so that people wouldn't approach me.