John le Carre
John le Carre
David John Moore Cornwellis a British author of espionage novels. During the 1950s and the 1960s, he worked for the Security Service and the Secret Intelligence Service, and began writing novels under a pen name. His third novel, The Spy Who Came in from the Cold, became an international best-seller, and remains one of his best-known works. Following the success of this novel, he left MI6 to become a full-time author...
NationalityEnglish
ProfessionWriter
Date of Birth19 October 1931
christian real lying
The greatest threat to mankind comes from the renunciation of individual scruple in favor of institutional denominators. . . . Real heroism lies, as it always will, not in conformity or even patriotism, but in acts of solitary moral courage. Which, come to think of it, is what we used to admire in our Christian savior
lying real thinking
But I think the real tension lies in the relationship between what you might call the pursuer and his quarry, whether it's the writer or the spy.
lying government looks
As our Governments spin, lie and lose their credibility, the electorate simply shrugs and looks the other way.
lying facts repetition
By repetition, each lie becomes an irreversible fact upon which other lies are constructed.
fake-people lying reality
We lie to one another every day, in the sweetest way, often unconsciously. We dress ourselves and compose ourselves in order to present ourselves to one another.
brought came disgust imagination spy work
'The Spy Who Came in from the Cold' was the work of a wayward imagination brought to the end of its tether by political disgust and personal confusion.
held impunity
Totalitarian states killed with impunity and no one was held accountable. That didn't happen in the West.
despite man secretly terrible
I think, increasingly, despite what we are being told is an ever more open world of communication, there is a terrible alienation in the ordinary man between what he is being told and what he secretly believes.
available certainly good manage writers
Well, certainly I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
confronted famous literary occupied territory
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
abroad budget cia executive intelligence known percentage powers secret tiny
SIS, the Secret Intelligence Service, also known as MI6, also has no executive powers and operates abroad on CIA lines, but with a tiny percentage of the budget and a tiny percentage of the personnel.
coming creative dressing energy equipped imagination novelists relying scene
Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from, and they're also relying tremendously on the creative imagination of the reader.
books grab high name reader sit
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
men writers
Writers are two-home men - they want a place outside and a place within.