John Green

John Green
NationalityAmerican
ProfessionAuthor
Date of Birth24 August 1977
CountryUnited States of America
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But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
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I laughed and pointed out that "Hash Browns Mean Nothing Without You" was a pretty good name for a band. "Or a song," the Duke said, and then she started singing all glam rock, a glove up to her face holding an imaginary mic as she rocked out an a cappella power ballad. "Oh, I deep fried for you / But now I weep 'n' cry for you / Oh, babe, this meal was made for two / And these hash browns mean nothing, oh these hash browns mean nothing, yeah these HASH BROWNS MEAN NOTHIN' without you.
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the marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you'll think "they'll remember me now," but (a) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion
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Sawyer lost despite being the stronger candidate in terms of experience.
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Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison, but I don't have any desire to follow her on Twitter. I just want to read her books.
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There's higher voter turnout among Hispanic evangelicals than among Hispanics in general.
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It does have a kind of byzantine quality to it. There is a good bit of strange stuff going on.
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Those big things are hard to do under the best of circumstances. Surely there are smaller things he can do, such as with the tax code.
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She took it in, and I could tell it really registered with her. But she held her personal emotions to get the broadcast on the air.
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We don't tend to write about disease in fiction - not just teen novels but all American novels - because it doesn't fit in with our idea of the heroic romantic epic. There is room only for sacrifice, heroism, war, politics and family struggle.
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I'm a very introverted person. Nothing that's happened has changed that, but one of the reasons I write for teens is it's a real privilege to have a seat at the table in the lives of young people when they're figuring out what matters to them.
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When you're writing a novel, you spend four years sitting in your basement and a year waiting for the book to come out and then you get the feedback. When you do work online, the moment you're finished making it, people start responding to it which is really fun and allows for a kind of community development you just can't have in novels.
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One of the pitfalls of writing about illness is that it is very easy to imagine people with cancer as either these wise, beyond-their-years creatures or else these sad-eyed, tragic people. And the truth is people living with cancer are very much like people who are not living with cancer.
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There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.