John Berger
John Berger
John Peter Bergeris an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a university text...
NationalityEnglish
ProfessionArtist
Date of Birth5 November 1926
drawing way connections
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
artist drawing intimacy
There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the Rembrandts are like that. The artist who most often did that was Van Gogh.
drawing people trying
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
communication artist drawing
A drawing is essentially a private work, related only to the artist's own needs; a 'finished' statue or canvas is essentially a public, presented work - related far more directly to the demands of communication.
discovery drawing records
A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
white drawing use
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase. For me, drawing is a lot to do with taking out, with returning to the white of the paper.
artist drawing discovery
For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
photography drawing doe
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
I very seldom read back into what I've written.
invariably serves
Propaganda invariably serves the long-term interests of some elite.
against becomes becoming boycott directed exclusive itself
Boycott is not a principle. When it becomes one, it itself risks becoming exclusive and racist. No boycott, in our sense of the term, should be directed against an individual, a people, or a nation as such.
accurate choosing enter life modest
I think I'm very permeable. I can very easily, without even choosing to do it, enter the life of another. Or, to put it in a more modest and accurate way, for that life to enter mine.
absolutely art became encouraged enormous felt few hundred lived paintings people somehow whether
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
art authority exists language longer matters past uses
The art of the past no longer exists as it once did. Its authority is lost. In its place there is a language of images. What matters now is who uses that language for what purpose.