John August
John August
John Augustis an American screenwriter and film director, and host of the Scriptnotes podcast along with Craig Mazin...
girl dog crazy
You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.
running dog thinking
Frankenweenie is also about mortality, but at a very different stage. It's losing a parent versus losing a dog. I don't run away from the tears of that, which I think is what makes it feel universal.
dog father son
Like Frankenweenie is a story about a boy and his dog, Big Fish is the story of a father and his son, and all those conversations you can't have. It's universal, in a way that can go from one medium to another medium. That's been the funnest, figuring out what we can do in a Broadway show that's unique and special.
disturbing family version
We wanted to make a version that wasn't so disturbing that you couldn't put it in a family movie,
characters colors corpse darker fall longer love pluck spirit tend wear
Tim's characters tend to wear darker colors and some, like the corpse bride, are no longer living, but they have a pluck and a spirit that makes you fall in love with them,
appears fact monster sweet
On the surface, she appears to be a monster but in fact she is kind and sweet and misunderstood.
teenager answers remember
I just always remember myself as the teenager with questions about movies and screenwriting. I would hope that there was somebody out there who would answer those questions, and so, if I can take a few minutes to do it, I will. It's not threatening for us. We're not being stalked, so it's easier.
musical saws process
With Corpse Bride, I saw a lot more of it during the process because we were changing things a lot. When I came onto Corpse Bride, it wasn't a musical.
smart cat choices
Keeping the cat front-and-center was definitely a smart choice, from Tim and the animation department. Mr. Whiskers got referred to more than we actually saw him on stage. Seeing him on screen, you just love him.
girl character eye
You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes.
people scripts remarkable
When Tim asked me to do Frankenweenie, he had his original sketches from before he did the short, of what Sparky looked like, and he drew Victor and some of the other crucial people. The remarkable thing about working with Tim is that, once he's read a script, he sketches out everybody else.
girl character kids
One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill.
girl boys names
I knew that Weird Girl was going to be kind of amazing. The secret truth of Weird Girl is that I put her in there originally because I needed some way to set the boys' names.
important cinema firsts
I knew that this was the movie in which a lot of the cinema version of Burton-esque first started. So, I knew that there were things that were hugely important to him for it, but it didn't really feel that different than working on any other of these projects.