John Ashbery

John Ashbery
John Lawrence Ashberyis an American poet. He has published more than twenty volumes of poetry and won nearly every major American award for poetry, including a Pulitzer Prize in 1976 for his collection Self-Portrait in a Convex Mirror. Renowned for its postmodern complexity and opacity, Ashbery's work still proves controversial. Ashbery has stated that he wishes his work to be accessible to as many people as possible, and not to be a private dialogue with himself. At the same time,...
NationalityAmerican
ProfessionPoet
Date of Birth28 July 1927
CountryUnited States of America
One can lose a good idea by not writing it down, yet by losing it one can have it: it nourishes other asides it knows nothing of, would not recognize itself in, yet when the negotiations are terminated, speaks in the acts of that progenitor, and does recognize itself, is grateful for not having done so earlier.
The poem is sad because it wants to be yours, and cannot be.
I feel that poetry is going on all the time inside, an underground stream.
Where then shall hope and fear their objects find?
Somewhere someone is traveling furiously toward you, At incredible speed, traveling day and night....
But always and sometimes questioning the old modes And the new wondering, the poem, growing up through the floor, Standing tall in tubers, invading and smashing the ritual Parlor, demands to be met on its own terms now, Now that the preliminary negotiations are at last over.
The term ignorant is indeed perhaps an overstatement, implying as it does that something is known somewhere, whereas in reality we are not even sure of this: we in fact cannot aver with any degree of certainty that we are ignorant. Yet this is not so bad; we have at any rate kept our open-mindedness -- that, at least, we may be sure that we have -- and are not in any danger, or so it seems, of freezing into the pious attitudes of those true spiritual bigots whose faces are turned toward eternity and who therefore can see nothing.
The soul establishes itself. But how far can it swim out through the eyes And still return safely to its nest?
Most reckless things are beautiful in some way, and recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibilities that they are founded on nothing.
Once you've lived in France, you don't want to live anywhere else, including France.
Somewhere someone is traveling furiously toward you, At incredible speed, traveling day and night, Through blizzards and desert heat, across torrents, through narrow passes. But will he know where to find you, Recognize you when he sees you, Give you the thing he has for you?
until only infinity remained of beauty
I tried each thing, only some were immortal and free.
Its a bit mad. Too bad, I mean, that getting to know each just for a fleeting second Must be replaced by unperfect knowledge of the featureless whole Like some pocket history of the world, so general As to constitute a sob or wail