Jill Soloway
Jill Soloway
Jill Soloway is an American comedian, playwright, feminist, Emmy-winning television writer, and award-winning director who won the Best Director award at the Sundance Film Festival for directing and writing the film Afternoon Delight. She is also known for her work on Six Feet Under and for creating, writing, executive producing, and directing the Amazon original series Transparent...
NationalityAmerican
ProfessionScreenwriter
Date of Birth26 September 1965
CityChicago, IL
CountryUnited States of America
There are a whole bunch of people - Republicans or sports fans or reality TV fans - who probably would never have recognized that they have trans people in their world. Caitlyn Jenner really is thinking about the movement and saving lives, so I know that her intentions are honorable.
I think kids in general are much more capable of understanding the idea of being transgender than adults.
I've been told by people I respect that flashbacks only work if they have their own narrative, but they can't be part of the present narrative.
It will feel boring when you're bingeing.
If people want to watch that five hours [of stream show] on their own terms in their own schedule. It needs to work if somebody wants to stop after an hour and a half or stop after half an hour. People talk about it like food. Like, "I just want to let you know I'm saving it." They talk about it like pasta. "I'm saving it. I'm only going to have one a week." And I love the fact that everybody can have their own experience and I want to make sure that what we put out there works in as many ways as possible.
There are multiple shows of record about a late-transitioning patriarch and how the kids are affected, and there are multiple narratives. That narrative on "Keeping up with the Kardashians," the answer is, they're pretty much fine. It's the same sort of story we were telling which is, you know what? Everybody's okay.
In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political.
I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.
That was something that I learned from Alan Ball from "Six Feet Under." He didn't really like to have too many pop culture references because they don't really hold up after a few years.
My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.
I have never wanted to claim I know what is best for Israel.
If most of the reviewers are white cis men, if most of the distributors are white cis men, most of the executives in history have been white cis men. Most of the people who have been giving awards to people are people who've already been in the business - retired white cis men. They've been creating a body of narrative forever.
I'd always have a sort of automatic urge to share what I'm doing with other people.
Because so many rooms are run by men they're just used to women being the "that" - to be adored and dreamed about.