Jill Soloway
Jill Soloway
Jill Soloway is an American comedian, playwright, feminist, Emmy-winning television writer, and award-winning director who won the Best Director award at the Sundance Film Festival for directing and writing the film Afternoon Delight. She is also known for her work on Six Feet Under and for creating, writing, executive producing, and directing the Amazon original series Transparent...
NationalityAmerican
ProfessionScreenwriter
Date of Birth26 September 1965
CityChicago, IL
CountryUnited States of America
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
It's really easy to do sad; you just put on some sad music and write dramatically - everybody can do that.
It's really easy to be funny. You get a lot of funny people in a room, the show is funny.
The network shows have this very commercial voice that you have to adhere to, and the cable shows, it's kind of like winning the lottery. The independent film world is a world you can actually get to. You can get the under-a-million-dollar film by finding a good cast and financing.
I'm embarrassed that people will know that I can't ride a bicycle. For years, I have been feigning bad ankles and saying I wasn't in the mood for a bike ride.
I'm a fan of Louis C.K., I'm a fan of Lena Dunham. I love shows about people that other people would consider unlikable, or, like, the work of Woody Allen and Albert Brooks.
I love TV, I love writing, but I love movements more.
I'm very aware that just driving blindly towards money won't get me anything. I drive blindly towards making the world a better place.
It's hard enough to be a lady writer. Doubly hard to be a funny lady writer.
Every project is a race between your enthusiasm and your ability to get it done. Go fast. Don't slow down. A year from now, new things will interest you.
To me, it wasn't 'Star Wars' that shaped me; it was more 'Mary Tyler Moore' and, nowadays, 'Louie' and 'Girls.'
Femininity in and of itself - and the feminine - can be not only privileged, but honored or worshipped.
There's something about the kind of unconditional wild joy of creating that you have with your siblings that I am always trying to get back to.
A lot of the people I know connect through working. We're all so ambitious. Sometimes my friends will say, 'I want to hang out with you.' And I just go, 'Well, let's do a project together.' That's the only way I can.