Jesse Eisenberg

Jesse Eisenberg
Jesse Adam Eisenbergis an American actor, author and playwright. He made his television debut with the short-lived comedy-drama series Get Real. Following his first leading role in the comedy-drama film Roger Dodger, he appeared in the drama film The Emperor's Club, the psychological thriller The Village, the comedy-drama The Squid and the Whaleand the drama The Education of Charlie Banks. In 2006, Eisenberg won the Vail Film Festival Rising Star Award for his role in The Living Wake...
NationalityAmerican
ProfessionMovie Actor
Date of Birth5 October 1983
CityQueens, NY
CountryUnited States of America
When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.
If you're acting, then there's a prescribed way to behave; whereas in life there's no prescribed way. So acting feels like a comfortable way to get through the day.
The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
Acting forces me to socialise, which is good for me, I think.
I had great difficulty in school interacting with others, and I took refuge in the contrived setting of play acting, which is what I still do.
My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind of impossible.
I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.
Acting is a weird, kind of alienating job because you're in an isolated place. Even if you're working with a lot of other people, you're kind of alienated. Actors say that a lot, and I kind of find that to be true.
Acting is a weird profession. It's very disquieting, and at the time it just made me so confused. It's only when you step away from a movie for several weeks or months that you start to put things in perspective.
In acting class, you're trained to express yourself as much as you can.
Often times, being in a popular thing means that you have to compromise your own acting.
Actually, acting in bumper cars is terrible, because the really only way to film it and get a close up is to literally mount the camera - this heavy thing on the car and it's just the worst because you can't act at all with a thing on the car.
I think there are probably a lot of actors like me who I think probably struggle to feel comfortable in their own lives, and acting in some ways provides a safe context for them to live out emotions that they possibly repress or live out experiences that they are not afforded by virtue of circumstance.