Jeremy Irons
Jeremy Irons
Jeremy John Irons is an English actor. After receiving classical training at the Bristol Old Vic Theatre School, Irons began his acting career on stage in 1969, and has since appeared in many West End theatre productions including The Winter's Tale, Macbeth, Much Ado About Nothing, The Taming of the Shrew, Godspell, Richard II and Embers. In 1984, he made his Broadway debut in Tom Stoppard's The Real Thing and received a Tony Award for Best Actor...
NationalityEnglish
ProfessionMovie Actor
Date of Birth19 September 1948
CityCowes, England
people theater
I liked the theater. I liked the people. I liked the time that we worked.
people important desire
And trust, yes, which is important, but that is what I aim towards. Now that is difficult for some people, and with that desire to get things as good as possible, I would say that I'm probably regarded as quite prickly to work with.
school army people
I was educated in a private school in England amongst people who had been trained for sort of banking or the Army or business. As I came towards the end of my education, I thought I must find something or I'll never meet any of these people again.
play interesting people
I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.
character interesting people
The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.
shoes people red
And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.
mean people elements
I find what I call the [bleep] side of the industry very difficult. You won't see me at other peoples' premiers. I mean, I go to my own premiers because I have to help my film, but I don't enjoy that whole side of it. I don't enjoy celebrityhood. I love getting a seat in a restaurant. I love it when people say hi when I don't know them. I mean, that's fine, but apart from that, I like the elements of celebrityhood which make living in the world like living in your own village.
mean makeup people
To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.
afford child models seen support
Are you insane? Have you seen how many models there are here? Even he couldn't afford the child support payments.
age boarding change school schools
At the age of 12 I was going on to another boarding school in another part of the country. We change schools at 13 in this country.
asked house plays quite sort understood
I always wanted to do more plays but I never quite understood how you got asked to do a play. I had done house plays, but they were sort of skits.
decision empathize halfway role towards understanding
Now the decision to play a role is halfway towards understanding the character, because you empathize with it and that's why you want to play it.
amplify bit body flick focus greater happening pull speech thinking thoughts volume ways
You have to communicate on a much greater scale, ... With a camera, you can use the flick of an eye. On stage, a lot of other things are happening that can pull focus or energy. You're always thinking the same way, but you have to amplify your thoughts with the volume of your speech and the ways you use your whole body to communicate what you're feeling. It's a little bit different from film.
contrast loved music musical wonderful
It's a musical I've never seen, but I've loved the music for some time, ... This is a great, wonderful contrast from making movies.