Jennifer Egan
Jennifer Egan
Jennifer Eganis an American novelist and short story writer who lives in Fort Greene, Brooklyn. Egan's novel A Visit from the Goon Squad won the 2011 Pulitzer Prize for Fiction and National Book Critics Circle Award for fiction...
NationalityAmerican
ProfessionNovelist
Date of Birth7 September 1962
CountryUnited States of America
came define degree kids later listened mom music ourselves people placing punk songs themselves
People define themselves to some degree by the music that they listened to as teens. My mom had Elvis. Me, I had 'The Who' and later punk rock. Kids who came up in the '80s had other songs and bands. It's a way of placing ourselves culturally and temporally.
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In a way, I'm always trying to do something I'm not qualified to do. So I feel that lack of qualification. And I'm scared. And I have a tendency to think things may not/probably won't work out. That's my basic mindset.
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The book that is the closest genetically to 'Goon Squad' is 'Look at Me.' It has the futuristic element - although, freakishly, almost every aspect I invented has come to pass in some way, including the terrorist who fantasies about blowing up the World Trade Centre. That was extremely uncomfortable. The book came out on the week of 9/11.
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I'm not a wildly gifted person; I don't play an instrument or speak another language or have great accomplishments in another field, as many writers do. But writing feels natural to me; the act of it seems to free up my unconscious, so that sometimes I feel that I have access to more ideas and information than my conscious mind could think up.
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I'm just interested in serialization in fiction. I'm fascinated by it. I love the 19th-century novels. I'm interested in ways to bring that back to fiction.
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It seemed impossible that a scrappy book like 'Goon Squad' could win an award like that. It's such an iconic honor. I think what the Pulitzer means to me is that I'll need to work very, very hard to try to live up to it.
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The way that Dickens structured his books has a form that we most readily recognize now from, say, the great T.V. series, like 'The Wire' or 'The Sopranos.' There's one central plot line, but then from that spin off all kinds of subplots.
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Nowadays I'm more interested in what you'd call 'alternative.' Lately we've been listening to a lot of Mumford & Sons, and Jenny Owen Youngs. I'm also pretty crazy about the Kings of Convenience, a Norwegian band that's been compared to Simon and Garfunkel.
I've never been that confident. I don't tend to think, swaggeringly, 'I'm going to ace this.' It's just not who I am.
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Proust, my big inspiration for 'Goon Squad,' uses music a lot in his novel, both in terms of plot and structure. I liked the idea of doing the same thing, which is one reason I structured 'Goon Squad' as a record album, with an A side and a B side, that's built around the contrasting sounds of the individual numbers in it.
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My last novel, 'The Keep,' was very explicitly technological, about the quality of living in a state constantly surrounded by disembodied presences, and I was thinking very much about the online experience.
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When I was little, I wanted to be a doctor. I was really interested in gore. My grandfather was an orthopedic surgeon and he had a lot of books in his library that I would just pore over. A lot of them had really horrible pictures of deformities.
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What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
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In the case of 'Goon Squad,' which sold slowly for a long time despite the good reviews, those 'best of 2010' lists were pivotal, and made the book really sell.