Jenji Kohan
Jenji Kohan
Jenji Leslie Kohanis an American television writer and producer. She is best known as the creator of the Showtime comedy-drama series Weeds and the Netflix comedy-drama series Orange Is the New Black. She has received nine Emmy Award nominations, winning one as supervising producer of the comedy series Tracey Takes On......
NationalityAmerican
ProfessionScreenwriter
Date of Birth5 July 1969
CityLos Angeles, CA
CountryUnited States of America
We're throwing everything in ... I think Showtime's mandate is to make some noise. And this is a pretty noisy show.
I was broke when I lived in New York City during college, so I'd spend weekends walking around town, grabbing something to eat, and interacting with strangers. That ritual has stuck with me.
I think great writers should write great shows, and I have trouble with, like, what you are in life shouldn't automatically make you what you do in your art. It doesn't necessarily translate.
I think what strikes a chord is, this is a mother. She has children and she's doing something illegal. We have a history of the father doing what he needs to do to support his family. Mommy is not supposed to take these kinds of risks. She's supposed to be at home nurturing. But I guess you weigh your options and do what you think is gonna work.
When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
'Be nice' is my family's basic rule but one that often goes unfollowed in Hollywood. There's always a moment when you can choose between being snarky and being kind. I opt for the latter - it's much less exhausting!
What offends me more than something sexist is something poorly written or unfunny or cliched.
We dont vilify. We present them as is, and Im really proud to have remained neutral.
For a lot of people, film is still the dream - the captive audience in the darkened theater - but I love TV. I think it's fantastic.
A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
Personally, I like to yearn a little and long for the next episode. On the other hand, I'm also a glutton. My kids love to dive in and eat whole series at once.
She's trying to maintain the trappings of what a happy family and happy lifestyle looks like and taking big risks for it. But we're living in the most material time ever. Things tend to take on a lot greater importance these days. Can't be happy without your stuff.
My first job is to entertain, but if, while you're enjoying, you start to question something you never thought about before or empathize with, relate to, love someone you only thought of as 'other' once upon a time - how awesome is that.
My ex-boyfriend said, 'You have a better chance of getting elected to Congress than getting on the staff of a television show.' Which was the perfect thing for him to say, because my entire career is, 'Well, screw you.' And we broke up.