Jeffrey Eugenides
Jeffrey Eugenides
Jeffrey Kent Eugenidesis an American novelist and short story writer. He has written numerous short stories and essays, as well as three novels: The Virgin Suicides, Middlesex, and The Marriage Plot. The Virgin Suicides has been filmed, while Middlesex received the 2003 Pulitzer Prize for Fiction in addition to being a finalist for the National Book Critics Circle Award, the International Dublin Literary Award, and France's Prix Médicis...
NationalityAmerican
ProfessionNovelist
Date of Birth8 March 1960
CityDetroit, MI
CountryUnited States of America
Yes, you need a passport to prove to the world that you exist. The people at passport control, they cannot look at you and see you are a person. No! They have to look at a little photograph of you. Then they believe you exist.
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness", "joy", or "regret". Maybe the best proof that the language is patriarchal is that is oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions.
But maybe the Charm Bracelets understood more about life than I did. From an early age they knew what little value the world placed in books, and so didn't waste their time with them. Whereas I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing, I might be able to catch the rainbow of consciousness in a jar.
In the midst of my skeptical, cynical, often pessimistic nature exists a slender capacity to believe, if only temporarily, in a guiding, unseen power, and whenever this happens, I go with it. That's what inspiration is. You don't get it from the gods. You make it.
Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life...
At the same time, it's a family story and more of an epic. I needed the third-person. I tried to give a sense that Cal, in writing his story, is perhaps inventing his past as much as recalling it.
The Pulitzer isn't a physical object. You can't hold it in your hand. You get some money ($7,500 in my day), and you get a little Tiffany's paperweight with your name on it and the image of Joseph Pulitzer suspended in the crystal. When people see my 'Pulitzer' (I keep it in my sock drawer), they are pretty amazed at its meagerness.
A few years ago in Chicago, I rented an office, and I went there every day. For the most part I do work at home in an ugly room.
One of the reasons I like Barthes more than other writers of that ilk is because he had a literary quality.
It was a recession when I graduated, but I was so unequipped to have a job anyway, I don't think it would have mattered if the economy was booming. I think I was expecting bad jobs. But as it went on through my 20s, I began to wonder how things were going to turn out.
I'm aware of cliches and I'm aware of experiments that have been done and I'm aware of a kind of deadness to a lot of realism both in the language and in the structure of a book.
It was painful, but sometimes you must have these painful moments where you tear yourself away from something that isn't working.
It wasn't conscious, but I guess that one book is the reaction to the other. The first is so imprisoned in a male point-of-view, and the second is a point-of-view that can go anywhere it wants.
The book has many different characteristics: some are extremely old-fashioned storytelling traits, but there are also a fair number of postmodern traits, and the self-consciousness is one.