Jeff Lemire

Jeff Lemire
Jeff Lemireis a Canadian cartoonist. He is the author of titles including the Essex County Trilogy, Sweet Tooth, The Nobody, and Animal Man. Lemire is known for his moody, humanistic stories and sketchy, cinematic, black-and-white art. As of early 2016, Lemire writes All-New Hawkeye, Extraordinary X-Men, Moon Knight and Old Man Logan for Marvel, Descender and Plutona for Image, and Bloodshot Reborn for Valiant...
NationalityCanadian
ProfessionArtist
Date of Birth21 March 1976
CountryCanada
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
There's a lot of mystery just inherent in the story of 'Descender.' There's sort of a central mystery that runs throughout it.
You run the risk, whenever you build your story around a central mystery, of either letting it go too long, or revealing it too soon and then taking the wind out of the sails of the narrative.
Sometimes, if you have a lot of history with a character and a lot of affection, it's hard for you to do anything with that character. Like with Swamp Thing, for instance, I revere the Alan Moore run so much that it would be hard for me to do my own Swamp Thing. I care too much about the way it was done before.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
I've been reading comics since I was four. I used to get them when I would go grocery shopping with my mom. I remember getting the digest versions of old DC comics. The one that I remember reading first was Paul Levitz' 'Justice Society of America' stuff that he was doing in the '70s.
There's something so arrogant about us creating robots that are more and more human-looking or acting. It's like we're playing God. Let's create something that's a reflection of us, but it's inferior.
'Bloodshot,' for me, was unlike anything I'd ever done before, which was really the draw of it. In addition to trying to reconnect with my earlier work, I also wanted to try to do something that was completely new and different.
The thing about Canada is that it's a very large country, and the population's very spread out among different regions. Each region in the country really has its own personality and its own culture, you know? From West Coast to East Coast - wherever you go, it's almost like it's its own country.
I've always been attracted to themes of isolation in my work - in my independent work and my DC work.
I've always enjoyed teen characters, and kids as well. For whatever reason, I seem to have an ability to do it sort of well, and I enjoy doing it.
I've always had a good handle on drawing children.
Sony is looking at 'Descender' as a franchise of films rather than just one movie.
I would love to learn archery. Unfortunately I'm too busy writing and drawing ten thousand comics a month. Maybe one day!