Jeanette Winterson
Jeanette Winterson
Jeanette Winterson, OBEis an award-winning English writer, who became famous with her first book, Oranges Are Not the Only Fruit, a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Some of her other novels have explored gender polarities and sexual identity. Winterson is also a broadcaster and a professor of creative writing...
NationalityBritish
ProfessionNovelist
Date of Birth27 August 1959
writing oil needs
The unknownness of my needs frightens me. I do now know how huge they are, or how high they are, I only know that they are not being met. If you want to find out the circumference of an oil drop, you can use lycopodium powder. That’s what I’ll find. A tub of lycopodium powder, and I will sprinkle it on to my needs and find out how large they are. Then when I meet someone I can write up the experiment and show them what they have to take on.
writing self literature
There are so many separate selves; no one who writes creatively hasn't felt that.
real believe writing
Autobiography is not important. Authenticity is important. The writer must fire herself through the text, be the molten stuff that welds together disparate elements. I believe there is always exposure, vulnerability, in the writing process, which is not to say it is either confessional or memoir. Simply, it is real.
writing written
Every word written is a net to catch the word that has escaped.
book writing left
I fell into the books, and left myself there for safekeeping.
writing fables break
I wanted to write a new fable and see how many rules you could break.
lying writing cells
Writing objects to the lie that life is small. Writing is a cell of energy. Writing defines itself. Writing draws its viewer in for longer than an instant. Writing exhibits boldness. Writing restores power to exalt, unnerve, shock, and transform us. Writing does not imitate life, it anticipates life.
writing cutting thinking
I think writing is a process that starts long before the writers are actually writers and probably goes on long afterward. It's rather like the way the Arabs weave rugs. They don't stop. They just cut them off at a certain spot on the loom. There is no particular beginning or end.
reading writing thinking
reading is not a passive act. It's a creative act. It's a relationship between the writer and a person the writer will probably never meet. I think it's very wrong to write in a way that leaves no room for the reader to maneuver. I don't want to get in the way. What I'd really like to do is to perform the Indian Rope Trick - go higher and higher and eventually disappear.
writing discipline creative
Turn up for work. Discipline allows creative freedom. No discipline equals no freedom.
change writing groups
I don't write for any group. I write to bring about a change in consciousness.
sex writing important
I write about sex because often it feels like the most important thing in the world.
book writing mirrors
Don’t you, when strangers and friends come to call, straighten the cushions, kick the books under the bed and put away the letter you were writing? How many of us want any of us to see us as we really are? Isn’t the mirror hostile enough?
writing thinking years
I think of myself in a continuum as a woman. Two hundred years ago, it would have been very difficult for me to write at all.