Jason Mraz
Jason Mraz
Jason Thomas Mrazis an American singer-songwriter who first came to prominence in the San Diego coffee shop scene in 2000. In 2002, he released his debut studio album, Waiting for My Rocket to Come, which contained the hit single "The Remedy". With the release of his second album, Mr. A-Z, in 2005, Mraz achieved major commercial success. The album peaked at number 5 on the Billboard 200 and sold over 100,000 copies in the US. In 2008, Mraz released his...
NationalityAmerican
ProfessionPop Singer
Date of Birth23 June 1977
CityMechanicsville, VA
CountryUnited States of America
I was raised playing music in coffeehouses and I feel that was the foundation for my career. I think it is important that we remember where we came from.
Whenever there's a camera in my face, that's when I feel vulnerable, and then it turns into a little bit of being self-conscious, which I think is the worst kind of vulnerability.
I think surprises are what's great about life: "WHOA! I didn't see that coming!"
Love is the only thing that makes the world spin around, I think. It's weird. We have to call it "love," because we have to call it something, but it's not a word. It's an energy. It's an act. It's an action. It's a natural thing.
I enjoy going on stage knowing that there's going to be that vulnerability and that transparency and hopefully things will be realized or accomplished or that confidence will be revealed. I think that's another element that people like about shows: in addition to hearing the songs that they love, I think there are some people who really get off on connecting with what's happening right now.
If you have a dream, this is your chance. We don't always have to play it safe because people might think you're weird.
I love eating healthy and doing the yoga thing, because I think I'm going to live to a thousand doing so. And that's because I don't want to leave here so soon. I want to stick around as long as I can, but I know that's not going to be the case. We're all going.
And it's okay if you have to go away Oh just remember the telephone works both ways And if I never ever hear them ring If nothing else I'll think the bells inside Have finally found you someone else and that's okay Cause I'll remember everything you sang ((You and I both))
I think more obvious to others, is that I'm most vulnerable on stage. Even though I know which songs I'm going to play, I try and keep it loose and base my stage time more on what the audience is requesting of me.
I'm always thinking about the next record. I've got like 20 different themes and then I'll scratch the themes. It's a learning process.
I think there’s no greater joy than completing a song out of thin air. It’s like inventing something, but it’s invisible, you know? It’s weird. It amazes me. You can send it out in the world, and that’s the joy. It’s like giving birth to all these songs and letting them go like they’re your kids.
You're letting go of having the best possible experience you can have regardless of who you are and where you are. I think that can be applied to all things, but it's easier said than done.
Because I trust in the ever-changing climate of the heart. (At least, today I feel that way.) I think it is necessary to have many experiences for the sake of feeling something; for the sake of being challenged, and for the sake of being expressive, to offer something to someone else, to learn what we are capable of.
With everything you're letting go, I'm sure it's going to have a different value to you. And every time you let go you're going to be a different age or there's going to be different circumstances. So I think the best way to do it is to simply wish the best for that thing.