Jamie Lee Curtis

Jamie Lee Curtis
Jamie Lee Curtis, Lady Haden-Guestis an American actress and author. She made her film debut in 1978 by starring as Laurie Strode in John Carpenter's Halloween. A big hit, the film established her as a notable actress in horror, and she subsequently starred in Halloween II, The Fog, Prom Night, Terror Train, and Roadgames, gaining the status of "scream queen" to mainstream audiences. Curtis has since compiled a body of work that spans many genres, including the cult comedy films...
NationalityAmerican
ProfessionMovie Actress
Date of Birth22 November 1958
CitySanta Monica, CA
CountryUnited States of America
My marriage? Up to now everything's okay. But it's a real marriage - imperfect and very difficult. It's all about people evolving somewhat simultaneously through their lives. I think we've emotionally evolved.
I'm age-appropriate. I dress age-appropriately, I choose mates age-appropriately. I'm a big believer in people should act their age.
People get real comfortable with their features. Nobody gets comfortable with their hair. Hair trauma. It's the universal thing.
I've been going through photos of my mother, looking back on her life and trying to put it into context. Very few people age gracefully enough to be photographed through their aging.
Now all of a sudden I'm so less interested in pretending to be a lot of other people, and much more interested in being me.
I don't have great thighs. I have very big breasts and a soft, fatty little tummy. And I've got back fat. People assume that I'm walking around in little spaghetti-strap dresses. It's insidious - Glam Jamie, the Perfect Jamie, the great figure, blah, blah, blah. And I don't want the unsuspecting 40-year-old women of the world to think that I've got it going on. It's such a fraud. And I'm the one perpetuating it.
I'm one of those people who does a lot of things. I'm lucky. I get up and I have a lot of energy. I have a great work ethic.
Nowadays, when you make movies, you don't need any lights at all. You have to remember, back in the day, the film stocks that they had were very, very insensitive and they would have these humongous lights and lighting was everything, so everyone looked good. Nowadays with digital film where you don't need any light at all, you could shoot in the [bleep] dark. It makes people not look so good and it makes aging on film much, much harder.
People need things. I don't live a monk's existence, I'm a consumer, but I try to do it to the level that doesn't feel like there's an overabundance of something.
I'm uninterested in superheroes. I am only interested in real stories, real people, real connection.
The more I like me, the less I want to pretend to be other people.
I recommend it to all people: Get down on the floor and look at the world from where the child looks at it.
I respect so much the work that so many women do but that's just not what I do. I have a job where I advertise yogurt that makes you poop and that people love and people tell me about their bowel movements every day.
My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.